Arna Bontemps

Portrait of Arna Bontemps
Arna Bontemps 1902–1973
1902Born

Arna Bontemps was born in Alexandria, Louisiana, the son of Creole parents. His father was a skilled brick mason who moved his family to Los Angeles when Arna was three years old. Tension developed between father and son when Arna refused to be apprenticed as a mason. He was sent away to a white boarding school in San Fernando with his father's command not to "go up there acting colored." Unhappy at what he saw as his father's effort to make him forget his racial heritage, Bontemps went on to Pacific Union College in Angwin, California, graduating in 1923.

A year later, Bontemps began to publish his poetry in magazines such as The Crisis and Opportunity, which encouraged the work of young African American writers. He had hoped to study for a Ph.D. in English, but after his marriage in 1926 and the subsequent birth of six children, he accepted teaching jobs to support his family. In 1926 he moved to New York City to teach at the Harlem Academy for five years, a period in which he was also close to several important figures of the Harlem Renaissance, including Langston Hughes and Jean Toomer. In 1931 he published his first book, God Sends Sunday, a novel about a black St. Louis jockey. That year Bontemps moved to Huntsville, Alabama, to teach at Oakwood Junior College.

He grew frustrated at trying to reach his own generation and decided to write to younger readers, "not yet insensitive to man's inhumanity to man." For the remaining forty years of his life, Bontemps wrote biographies, children's fiction, and black history, and compiled literary anthologies, often in collaboration with his close friends Langston Hughes and Jack Conroy. In 1943, after completing a master's degree in library science, he served until his retirement as head librarian at Fisk University, developing an archive of African American cultural materials that is a major resource for study in this field.

Reading closely

Analyses

A full analysis sits under 3 of these poems: what each poem says, how it is built and how readers here have read it. About the analyses

From readers

What readers say about Arna Bontemps

  1. On Southern Mansion

    “the poem opens and ends in the same idea of death . Personification serves to portray "poplars" trees as a witness abouy the historical legacy of slavers ,it aims to connect the past to the present.However the simile in "still as death" avokes the silence of te poplars tree.”

  2. On The Day-Breakers

    “I'm sorry but have any of you actually read this poem? The actual poet, Bontemps, lived from the beginning of the 1900s to the 1970s. If I'm not mistaken, slavery was abolished some thirty years before then. And even though he focuses mainly upon this aspect of the past in some other poems it does…”

  3. On A Black Man Talks of Reaping

    “I had to read this poem for my english III honors class and do a critical analysis for it. I also had to teach my class about the meaning of this poem. I believe that Botemps is referring to the fact that he as a slave puts so much labor into the fields yet in return doesnt get anything. When he…”

  4. On God Give to Men

    “I find that this poem characterizes a general feeling in African-American writers of Bontemp's time of the simplicity and urgency of the black man's needs. However, I do disagree with the characterization of "yellow men" as "slant-eyed"”

Where readers gather

Most discussed

  1. Southern Mansion16 comments
  2. A Black Man Talks of Reaping14 comments
  3. The Day-Breakers14 comments
  4. God Give to Men4 comments
  5. Reconnaissance2 comments

All 7 poems

Poems · 7