Sara Teasdale

Portrait of Sara Teasdale
Sara Teasdale 1884–1933
1884Born

Sara Teasdale (August 8, 1884 - January 29, 1933) was an American lyrical poet. She was born Sarah Trevor Teasdale in St. Louis, Missouri.

Sara's major themes were love, nature's beauty, and death, and her poems were much loved during the early 20th century. In 1918 she won the Columbia University Poetry Society prize (the forerunner of the Pulitzer Prize for Poetry) and the annual prize of the Poetry Society of America for her volume, Love Songs. Her style and lyricism are well illustrated in her poem, Spring Night (1915), from that collection.

Throughout her life, Sara suffered poor health and it was not until she was nine that she was judged healthy enough to begin school - a private school for children just one block away from her home. In 1898 she attended Mary Institute, and the following year she enrolled in Hosmer Hall, from which she graduated in 1903. Her influences included the actress Duse, whom she never saw perform, the British poet Christina Rossetti, and numerous trips to Europe, beginning in 1905.

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In 1913, Sara was courted by two admirers. The poet Vachel Lindsay fell in love with her and at one point was sending her long, fantastic love letters on a daily basis. He asked her to marry him, but though she had deep feelings for Vachel, she instead married Ernst Filsinger, a businessman, in 1914. The following year they moved to New York City, which became her home for the rest of her life. Sara and Vachel remained fond but platonic friends throughout their lives, and Lindsay said that she was his life's "most inspiring, most satisfying friend." She was the inspiration for what Lindsay believed to be his greatest poem, The Chinese Nightingale.

Sara was very much a product of her Victorian upbringing, and she was never able to experience in life the passion that she expressed in her poetry. She was not happy in her marriage, and she divorced Ernst in 1929, against his wishes. Sara's health further declined. On the morning of January 29, 1933, in her New York City apartment, Sara took an overdose of sleeping pills, lay down in a warm bath, fell asleep, and never woke up again. Her last, and some say her finest, collection of verse, Strange Victory, was published posthumously that same year.

She is interred in the Bellefontaine Cemetery in St. Louis.

Reading closely

Analyses

A full analysis sits under 9 of these poems: what each poem says, how it is built and how readers here have read it. About the analyses

  • AloneLoneliness love cannot reach, a bare mountain peak, and the pride that holds off death
  • BarterBeauty priced as goods for sale, and a bargain that asks for the whole self in return
  • I RememberedA love that understood every mood, and loneliness among other company afterwards
  • Buried LoveA love buried by an act of will, an unmarked grave, and grief that returns at night
  • Gray EyesA first look like a first sight of the sea, and a love that stays new after four springs
  • It Will Not ChangeA love unchanged by years, partings and death, promised to outlive the speaker in song
  • Let It Be ForgottenA wish to forget something never named, with time as a kind friend and snow over the trail
  • The GhostSpoken love that can die and unspoken love that returns like a ghost

From readers

What readers say about Sara Teasdale

  1. On Barter

    “When I was in high school in Puerto Rico almost 50 years ago, we had to memorize a poem by an American poet. I chose "Life has loveliness to sell..." I recited it with all of the passion of youth, but it is still my very favorite poem.”

  2. On I Am Not Yours

    “i read in a book once that true love starts when being "in love" ends; when the intense emotion is gone but you still CHOOSE to love someone. maybe it's that blind passion that sara wants to experience: "yet i am i, who long to be lost as a light is lost in light" but it's not that she detests her…”

  3. On Water Lilies

    “This poem makes me think its about friendship after love. If you have forgotten how sweet it felt, you may be around them, perhaps find friendship. If however you remember it too well, you cannot be near it.”

  4. On Tonight

    “As in her poem “Blue Squills,” Sara Teasdale pictures things in nature as being eternal, quite unlike human life. She appears to have no belief in everlasting life for the human soul. She is obviously speaking to a man that she loves, and the implication of the first stanza is clearly that just as…”

  5. On The Years

    “Sarah Teasdale...a truly divine poet. She's written sooo many great poems. This one is a particular favorite...it strikes a very real chord in my own life. I, too, waited literally years & years before I met my beloved. Since then, many times I've looked back over my life and seen that with each…”

  6. On Alone

    “I think that this poem, speaks of how she longs to be loved, however, with the way her life is, she feels unworthy of said love and cannot accept it. Also, Sara Teasdale did not live a happy life. She was chronically ill, and committed suicide with barbituates in 1933. I believe that poetry was…”

Where readers gather

Most discussed

  1. Alone19 comments
  2. I Am Not Yours11 comments
  3. Barter8 comments
  4. I Remembered6 comments
  5. Buried Love5 comments
  6. Gray Eyes5 comments
  7. It Will Not Change5 comments
  8. Let It Be Forgotten5 comments
  9. The Ghost5 comments
  10. After Love4 comments

All 49 poems

Love Songs · 1917 · 1 poem
Cover of Love Songs
First edition, The Macmillan Company, 1917
Flame and Shadow · 1 poem
Cover of Flame and Shadow
Title page, The Macmillan Company, 1920
Other poems · 47