Behold me, in my chiffon, gauze, and tinsel,
Flitting out of the shadow into the spotlight,
And into the shadow again, without a whisper!—
Firefly’s my name, I am evanescent.

Firefly’s your name. You are evanescent.
But I follow you as remorselessly as darkness,
And shut you in and enclose you, at last, and always,
Till you are lost,—as a voice is lost in silence.

Till I am lost, as a voice is lost in silence. . .
Are you the one who would close so cool about me?
My fire sheds into and through you and beyond you:
How can your fingers hold me? I am elusive.

How can my fingers hold you? You are elusive?
Yes, you are flame, but I surround and love you,
Always extend beyond you, cool, eternal,
To take you into my heart’s great void of silence.

You shut me into your heart’s great void of silence. . .
O sweet and soothing end for a life of whirling!
Now I am still, whose life was mazed with motion.
Now I sink into you, for love of sleep.

Analysis, meaning and summary of Conrad Aiken's poem Turns And Movies: Dancing Adairs

Leave a Reply

Your email address will not be published.

Do you have any comments, criticism, paraphrasis or analysis of this poem that you feel would assist other visitors in understanding the meaning or the theme of this poem by Conrad Aiken better? If accepted, your analysis will be added to this page of American Poems. Together we can build a wealth of information, but it will take some discipline and determination.