Carl Sandburg

Portrait of Carl Sandburg
Carl Sandburg 1878–1967
1878Born in Galesburg, Illinois

Author-poet Carl Sandburg was born in the three-room cottage at 313 East Third Street in Galesburg on January 6, 1878. The modest house, which is maintained by the Illinois Historic Preservation Agency, reflects the typical living conditions of a late nineteenth century working-class family. Many of the furnishings once belonged to the Sandburg family. Behind the home stands a small wooded park. There, beneath Remembrance Rock, lie the ashes of Carl Sandburg, who died in 1967.

Carl August Sandburg was born the son of Swedish immigrants August and Clara Anderson Sandburg. The elder Sandburg, a blacksmith’s helper for the nearby Chicago, Burlington and Quincy Railroad, purchased the cottage in 1873. Carl, called “Charlie” by the family, was born the second of seven children in 1878. A year later the Sandburgs sold the small cottage in favor of a larger house in Galesburg.

Carl Sandburg worked from the time he was a young boy. He quit school following his graduation from eighth grade in 1891 and spent a decade working a variety of jobs. He delivered milk, harvested ice, laid bricks, threshed wheat in Kansas, and shined shoes in Galesburg’s Union Hotel before traveling as a hobo in 1897.

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His experiences working and traveling greatly influenced his writing and political views. As a hobo he learned a number of folk songs, which he later performed at speaking engagements. He saw first-hand the sharp contrast between rich and poor, a dichotomy that instilled in him a distrust of capitalism.

When the Spanish-American War broke out in 1898 Sandburg volunteered for service, and at the age of twenty was ordered to Puerto Rico, where he spent days battling only heat and mosquitoes. Upon his return to his hometown later that year, he entered Lombard College, supporting himself as a call fireman.

Sandburg’s college years shaped his literary talents and political views. While at Lombard, Sandburg joined the Poor Writers’ Club, an informal literary organization whose members met to read and criticize poetry. Poor Writers’ founder, Lombard professor Phillip Green Wright, a talented scholar and political liberal, encouraged the talented young Sandburg.

Sandburg honed his writing skills and adopted the socialist views of his mentor before leaving school in his senior year. Sandburg sold stereoscope views and wrote poetry for two years before his first book of verse, In Reckless Ecstasy, was printed on Wright’s basement press in 1904. Wright printed two more volumes for Sandburg, Incidentals (1907) and The Plaint of a Rose (1908).

As the first decade of the century wore on, Sandburg grew increasingly concerned with the plight of the American worker. In 1907 he worked as an organizer for the Wisconsin Social Democratic party, writing and distributing political pamphlets and literature. At party headquarters in Milwaukee, Sandburg met Lilian Steichen, whom he married in 1908.

The responsibilities of marriage and family prompted a career change. Sandburg returned to Illinois and took up journalism. For several years he worked as a reporter for the Chicago Daily News, covering mostly labor issues and later writing his own feature.

Sandburg was virtually unknown to the literary world when, in 1914, a group of his poems appeared in the nationally circulated Poetry magazine. Two years later his book Chicago Poems was published, and the thirty-eight-year-old author found himself on the brink of a career that would bring him international acclaim. Sandburg published another volume of poems, Cornhuskers, in 1918, and wrote a searching analysis of the 1919 Chicago race riots.

More poetry followed, along with Rootabaga Stories (1922), a book of fanciful children’s tales. That book prompted Sandburg’s publisher, Alfred Harcourt, to suggest a biography of Abraham Lincoln for children. Sandburg researched and wrote for three years, producing not a children’s book, but a two-volume biography for adults. His Abraham Lincoln: The Prairie Years, published in 1926, was Sandburg’s first financial success. He moved to a new home on the Michigan dunes and devoted the next several years to completing four additional volumes, Abraham Lincoln: The War Years, for which he won the Pulitzer Prize in 1940. Sandburg continued his prolific writing, publishing more poems, a novel, Remembrance Rock, a second volume of folk songs, and an autobiography, Always the Young Strangers. In 1945 the Sandburgs moved with their herd of prize-winning goats and thousands of books to Flat Rock, North Carolina. Sandburg’s Complete Poems won him a second Pulitzer Prize in 1951. Sandburg died at his North Carolina home July 22, 1967. His ashes were returned, as he had requested, to his Galesburg birthplace. In the small Carl Sandburg Park behind the house, his ashes were placed beneath Remembrance Rock, a red granite boulder. Ten years later the ashes of his wife were placed there.

Reading closely

Analyses

A full analysis sits under 10 of these poems: what each poem says, how it is built and how readers here have read it. About the analyses

  • NiggerA persona poem that names its speaker with a slur, built from stereotypes and slavery
  • GrassThe grass that covers the dead of five battlefields, and how quickly war is forgotten
  • HappinessWhy professors and executives cannot define happiness, and a picnic by the river that does
  • Four Preludes on Playthings of the WindA proud city's boast outlived by crows, rats and dust, and the future's shrug at the past
  • FogFog as a cat: a silent arrival, a watchful pause over harbor and city, and a departure
  • Jazz FantasiaA jazz band urged from joy to brawl to a quiet river night, in words that mimic it
  • LostA boat's whistle in the fog heard as a lost child crying for its mother
  • I Am The People, The MobThe people as maker and victim of history, kept down by forgetting
  • The Junk ManDeath as a kindly junk man who carries off a worn-out clock, and why the clock is glad

From readers

What readers say about Carl Sandburg

  1. On Grass

    “Ypres and Verdun are towns in Europe that were almost completely destroyed during World War One. But now they are rebuilt, the grass has grown over everything and there is nothing left to show that some big battle happened there and that people died except a few plaques and stuff. Gettysburg was a…”

  2. On Fog

    “I believe that this poem is referring to the difficult situations that we as humans cannot see through, like we cannot see through 'fog'. These situations, sometimes sneak up on us like 'little cat feet'. The situation hangs over our heads, 'it sits looking'. But, eventually, 'moves on'.”

  3. On Jazz Fantasia

    “As a teacher, I used this poem as an example of the way poets use "sound" words such as crash and bang. The poem, when read emphasizing the sounds, gives the rhythms and 'noises' of words imitating a jazz band creating the clashing sounds of civilization. My favorite word is "horns." The resonance…”

  4. On Soup

    “I saw a man screwing a goat, I say he was rearing livestock. Into the goats hole with a boom. His name was in the newspaper, As the cops came and took him away. Thousands of people saw him do it, Some even jerked off as they saw him play. When I saw him, he was bending over, And giving the goat a…”

  5. On Wind Song

    “I have lived this poem many times---most notably when I was 15 and sat in the orchard at my parents' home. It was in farm country and the wind passed through the autumn leaves with a lush song and tossed them into the meadow---truly, the wind was "counting its money and throwing it away." I live in…”

  6. On Mill-Doors

    “here's what came to my mind. i thought it was about a hard worker. maybe a writer/journalist type. working everyday even in nights. he's been working there since he was a young man. "how many cents for the sleepy eyes and fingers" "in the dark, in the silence, day by day" "and you are old before…”

Where readers gather

Most discussed

  1. Chicago PoemsNigger58 comments
  2. Chicago PoemsChicago48 comments
  3. CornhuskersGrass24 comments
  4. Chicago PoemsHappiness21 comments
  5. Smoke and SteelFour Preludes on Playthings of the Wind17 comments
  6. Chicago PoemsFog14 comments
  7. Chicago PoemsLost10 comments
  8. Chicago PoemsI Am The People, The Mob10 comments
  9. Chicago PoemsReady to Kill9 comments
  10. Chicago PoemsThe Junk Man9 comments

3 collections

All 437 poems

Chicago Poems · 142 poems
Cover of Chicago Poems
First edition, Henry Holt, 1916

Handfuls

  1. 1Fog191314
  2. 2Pool1913
  3. 3Jan Kubelik19131
  4. 4Choose19131
  5. 5Crimson1913
  6. 6Whitelight19131
  7. 7Flux1913
  8. 8Kin19132
  9. 9White Shoulders1913
  10. 10Losses1913
  11. 11Troths1913

War Poems (1914-1915)

  1. 2Among the Red Guns19141
  2. 3Iron19145
  3. 4Murmurings in a field hospital19141
  4. 5Statistics19147
  5. 6Fight19141
  6. 7Buttons19146
  7. 8And They Obey1914
  8. 9Jaws1914
  9. 10Salvage19141
  10. 11Wars1914
Cornhuskers · 102 poems
Cover of Cornhuskers
First edition, Henry Holt, 1918
Smoke and Steel · 193 poems
Cover of Smoke and Steel
First edition, Harcourt, Brace and Howe, 1920

X. Panels

  1. 1Panels1922
  2. 2Dan1922
  3. 3Whiffletree1922
  4. 4Mascots1922
  5. 5The Skyscraper Loves Night1922
  6. 6Never Born1922
  7. 7Thin Strips1922
  8. 8Five Cent Balloons1922
  9. 9My People19221
  10. 10Swirl19221
  11. 11Wistful1922
  12. 12Basket19221
  13. 13Fire Pages19221
  14. 14Finish19222
  15. 15For You19222