Black No More
- Author:George S. Schuyler
- Publisher:Dover Publications
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- Sales Rank:87,172
- Languages:English (Unknown), English (Original Language), English (Published)
- Number Of Items:1
- Edition:Una Rep
- Shipping Weight (lbs):0.4
- Dimensions (in):8.4 x 5.3 x 0.4
- Publication Date:May 19, 2011
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According to Max Disher, an ambitious young black man in 1930s New York, someone of his race has only three alternatives: "Get out, get white, or get along." Incapable of getting out and unhappy with getting along, Max leaps at the remaining possibility. Thanks to a certain Dr. Junius Crookman and his mysterious process, Max and other eager clients develop bleached skin that permits them to enter previously forbidden territory. What they discover in white society, however, gives them second thoughts.
This humorous work of speculative fiction was written by an unsung hero of African-American literature. George S. Schuyler (1895-1977) wrote for black America's most influential newspaper, the Pittsburgh Courier, in addition to H. L. Mencken's The American Mercury, The Nation, and other publications. His biting satire not only debunks the myths of white supremacy and racial purity but also lampoons prominent leaders of the NAACP and the Harlem Renaissance. More than a historical curiosity, Schuyler's 1931 novel offers a hilarious take on the hypocrisy and demagoguery surrounding America's obsession with skin color.
This satirical Harlem Renaissance-era novel by black conservative intellectual George S. Schuyler (1895-1977), who wrote for the Pittsburgh Courier and contributed to the NAACP's influential Crisis magazine, is a hilariously insightful treatise on the absurdities of racial identity. Dr. Junius Crookman, a Harlem-based African American physician, mysteriously returns from Germany with a formula that can transform black people into whites. "It looked," Schuyler deadpans, "as though science was to succeed where the Civil War failed." One of the first to enlist Dr. Crookman's services is an insurance salesman named Max Disher, who as the white Matthew Fisher is now free to pursue the white women who once rejected him and otherwise bask in Euro-American social privilege (including a top position in a hate group called the Knights of Nordica). Schuyler unveils the futility of this electro-chemical form of "passing" through the emptiness the Disher/Fisher character encounters in the white cultural world, which doesn't measure up to the Harlem nightlife--revealing the poison behind the notion of wanting to be something you're not. --Eugene Holley Jr.
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