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American Poems: Music: The Lord of the Rings: The Return of the King
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The Lord of the Rings: The Return of the King

The Lord of the Rings: The Return of the King
Other Views:
  • List Price: $13.98
  • Buy New: $2.53
  • as of 8/23/2014 17:25 EDT details
  • You Save: $11.45 (82%)
In Stock
  • Seller:musicshop780
  • Sales Rank:1,914
  • Languages:English (Unknown), English (Original Language)
  • Media:Audio CD
  • Number Of Discs:1
  • Discs:1
  • Shipping Weight (lbs):0.2
  • Dimensions (in):5.3 x 4.8 x 0.5
  • Release Date:November 25, 2003
  • MPN:4 3 00048521
  • UPC:093624852124
  • EAN:0093624852124
  • ASIN:B0000DZEA1
Availability:Usually ships in 1-2 business days

Features:
  • SOUNDTRACK EL SEÃ'OR DE LOS ANILLOS 3: THE RETURN OF

Tracks
  • A Storm Is Coming
  • Hope And Memory
  • Minas Tirith
  • The White Tree
  • The Steward Of Gondor
  • Minas Morgul
  • The Ride of the Rohirrim
  • Twilight And Shadow
  • Cirith Ungol
  • Anduril
  • Shelob's Lair
  • Ash And Smoke
  • The Fields Of The Pelennor
  • Hope Fails
  • The Black Gate Opens
  • The End Of All Things
  • The Return Of The King
  • The Grey Havens
  • Into The West


Editorial Reviews:
Synopsis
The final film in the Lord Of The Rings trilogy will be a certain blockbuster. The soundtrack albums to the previous films have been hits and award winners. Now with The Lord Of The Rings: The Return Of The King featuring a track by Annie Lennox, this score album from the series' composer Howard Shore is sure to score with movie fans.
Amazon.com
This final chapter of Peter Jackson's sprawling adaptation of Tolkien's "Ring" trilogy closes out one of the most accomplished cycles in cinema--and film music--history. As he's done for the saga's first two installments, composer Howard Shore has honed a mature, brooding orchestral masterpiece that's long on subtle shadings of mood and nuance, while eschewing the hollow bombast that's characterized all too many mainstream action and adventure films for three decades. If anything, he's pared this chapter of his music for Middle Earth even closer to the bone, the trilogy's familiar themes repeated with a sparing hand that only heightens their dramatic power. Like Herrmann before him, Shore has a preternatural understanding of orchestral timbres and their almost mystical connections with human emotions, and he's used it here to close out this remarkable trilogy with Wagnerian dramatic sweep, yet one with a distinctly modern, understated melodic sense that is Shore's alone. James Galway and Renee Fleming make key instrumental and vocal contributions, respectively, while Annie Lennox's soulful "Into the West" makes the expected, if unobtrusive, bow to the theatrical pop song conventions. --Jerry McCulley

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