Andrea Bocelli: Sacred Arias
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$18.98
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as of 5/25/2013 13:00 EDT details
- You Save: $15.00 (79%)
- Seller:AbundaTrade!
- Sales Rank:6,105
- Languages:English (Unknown), Italian (Original Language)
- Media:Audio CD
- Discs:1
- Shipping Weight (lbs):0.2
- Dimensions (in):5.5 x 5 x 0.3
- Publication Date:1999
- MPN:462 600-2
- UPC:028946260029
- EAN:0028946260029
- ASIN:B00002ND9N
Availability:Usually ships in 1-2 business days
Features:
- BOCELLI ANDREA SACRED ARIAS
Tracks
- Caccini/Mercurio: Ave Maria
- Mascagni: Sancta Maria
- Gounod: Ave Maria
- Schubert: Ave Maria
- Franck: Panis Angelicus
- Rossini: Cuius animam
- Verdi: Ingemisco
- Mozart: Ave verum
- Wagner: Der Engel
- Handel: Ombra mai fu
- Niedermeyer: Pieta signore
- Rossini: Dominus Deus
- Schubert/Mercurio: Mille Cherubini in coro
- Gruber/Mercurio: Silent Night
- Wade: Adeste Fideles
- Gloria a te, Cristo Gesù - Andrea Bocelli
Editorial Reviews:
Synopsis
BOCELLI ANDREA SACRED ARIAS
Amazon.com
When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. --Thomas May
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