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 Home » Music » Andrea Bocelli: Sacred Arias

Andrea Bocelli: Sacred Arias

  • List Price: $18.98
  • Buy New: $3.98
  • as of 5/25/2013 13:00 EDT details
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In Stock
  • Seller:AbundaTrade!
  • Sales Rank:6,105
  • Languages:English (Unknown), Italian (Original Language)
  • Media:Audio CD
  • Discs:1
  • Shipping Weight (lbs):0.2
  • Dimensions (in):5.5 x 5 x 0.3
  • Publication Date:1999
  • MPN:462 600-2
  • UPC:028946260029
  • EAN:0028946260029
  • ASIN:B00002ND9N
Availability:Usually ships in 1-2 business days

Features:
  • BOCELLI ANDREA SACRED ARIAS

Tracks
  • Caccini/Mercurio: Ave Maria
  • Mascagni: Sancta Maria
  • Gounod: Ave Maria
  • Schubert: Ave Maria
  • Franck: Panis Angelicus
  • Rossini: Cuius animam
  • Verdi: Ingemisco
  • Mozart: Ave verum
  • Wagner: Der Engel
  • Handel: Ombra mai fu
  • Niedermeyer: Pieta signore
  • Rossini: Dominus Deus
  • Schubert/Mercurio: Mille Cherubini in coro
  • Gruber/Mercurio: Silent Night
  • Wade: Adeste Fideles
  • Gloria a te, Cristo Gesù - Andrea Bocelli


Editorial Reviews:
Synopsis
BOCELLI ANDREA SACRED ARIAS
Amazon.com
When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. --Thomas May

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