Annie Hall: Considered to be "Woody Allen's breakthrough movie" (Time), Annie Hall won four Oscars including Best Picture and established Allen as the premier auteur filmmaker. Thought by many critics to be Allen's magnum opus, Annie Hall confirmed that Allen had "completed the journey from comic to humorist, from comedy writer to wit [and] from inventive moviemaker to creative artist" (Saturday Review).
Alvy Singer (Allen) is one of Manhattan's most brilliant comedians, but when it comes to romance, his delivery needs a little work. Introduced by his best friend, Rob (Tony Roberts), Alvy falls in love with the ditzy but delightful nightclub singer Annie Hall (Diane Keaton). When Alvy's own insecurities sabotage the affair, Annie is forced to leave Alvy for a new life – and lover (Paul Simon) – in Los Angeles. Knowing he may have lost Annie forever, Alvy's willing to go to any lengths – even driving L.A.'s freeways – to recapture the only thing that ever mattered...true love.
Manhattan: Nominated for two Academy Awards, and considered "one of [Woody] Allen's most enduring accomplishments" (Boxoffice), Manhattan is a wry, touching and finely rendered portrait of modern relationships set against the backdrop of urban alienation. Sumptuously photographed in black and white (Allen's first film in that format), and accompanied by a magnificent Gershwin score, Allen's aesthetic triumph is a "prismatic portrait of a time and a place that may be studied decades hence" (Time).
Sleeper: Drawing on the great tradition of silent comedy, Sleeper is Woody Allen’s first film to tame his verbal wit and showcase his emerging skill with visual and physical comedy. Starring Diane Keaton (directed by Allen for the first time), Sleeper is “a bizarre mixture of New York neuroses, splendidly lunatic sight gags, Alice-in-Wonderland illogic, and too-funny-to-be-painful satire” (Los Angeles Herald-Examiner)!
When cryogenically preserved Miles Monroe (Allen) is awakened 200 years after a hospital mishap, he discovers the future’s not so bright: all women are frigid, all men are impotent, and the world is ruled by an evil dictator…a disembodied nose! Pursued by the secret police and recruited by anti-government rebels with a plan to kidnap the dictator’s snout before it can be cloned, Miles falls for the beautiful – but untalented – poet Luna (Keaton). But when Miles is captured and reprogrammed by the government – to believe he’s Miss America! – it’s up to Luna to save Miles, lead the rebels, and cut off the nose…just to spite its face.
Forty-two-year-old Manhattan native Isaac Davis (Allen) has a job he hates, a seventeen-year-old girlfriend, Tracy (Mariel Hemingway), he doesn't love, and a lesbian ex-wife, Jill (Meryl Streep), who's writing a tell-all book about their marriage...and whom he'd like to strangle. But when he meets his best friend's sexy intellectual mistress, Mary (Diane Keaton), Isaac falls head over heels in lust! Leaving Tracy, bedding Mary and quitting his job are just the beginnings of Isaac's quest for romance and fulfillment in a city where sex is as intimate as a handshake – and the gateway to true love...is a revolving door.
Hannah and Her Sisters: Brimming with laughter, tears and subtle beauty, Hannah and Her Sisters is a magnificent “summation of [Woody Allen’s] career to date” (The New York Times). Winner of three Oscars, and featuring a brilliant all-star cast, Hannah and Her Sisters spins a tale of three unforgettable women and showcases Allen “at his most emotionally expansive, working on his broadest canvas with masterly ease” (Newsweek)!
The eldest daughter of show-biz parents, Hannah (Mia Farrow) is a devoted wife, loving mother and successful actress. A loyal supporter of her two aimless sisters Lee (Barbara Hershey) and Holly (Dianne Wiest), she’s also the emotional backbone of a family that seems to resent her stability almost as much as they depend on it. But when Hannah’s perfect world is quietly sabotaged by sibling rivalry, she finally begins to see that she’s as lost as everyone else, and in order to find herself, she’ll have to choose – between the independence her family can’t live with…and the family she can’t live without.