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 Home » DVD » The Lucky One (Movie only+UltraViolet Digital Copy) [Blu-ray]

The Lucky One (Movie only+UltraViolet Digital Copy) [Blu-ray]

The Lucky One (Movie only+UltraViolet Digital Copy) [Blu-ray]
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  • List Price: $19.89
  • Buy New: $7.11
  • as of 5/22/2013 06:39 EDT details
  • You Save: $12.78 (64%)
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New (17) Used (22) from $5.36
  • Seller:mistermoney-hq
  • Sales Rank:17,132
  • Language:English (Unknown)
  • Media:Blu-ray
  • Running Time:101 Minutes
  • Region:1
  • Shipping Weight (lbs):0.2
  • Dimensions (in):6.7 x 5.3 x 0.5
  • Release Date:August 28, 2012
  • UPC:883929241569
  • EAN:0883929241569
  • ASIN:B005S9EK1S
Availability:Usually ships in 1-2 business days


Editorial Reviews:
Amazon.com
As a tourism advertisement for Louisiana, where filming took place, The Lucky One makes the most of a scenic state. As an opportunity for Zac Efron (High School Musical) to prove his acting mettle, it's less successful. On his third tour of duty in Iraq, Efron's Sgt. Logan Thibault finds a photograph of a pretty blonde that reads "keep safe" on the back. After a series of close scrapes, he credits his survival to the memento. Upon his release, Logan retrieves his German shepherd and sets out for North Carolina (it's never clear how he figures that out as a destination). When he finds Beth (Taylor Schilling), who runs a kennel with her grandmother (Blythe Danner), he doesn't know how to tell her about the picture, so he takes a job working with the dogs, and befriends her son (Riley Thomas Stewart), a chess prodigy, while inspiring jealousy in her hotheaded ex-husband, Keith (Jay R. Ferguson, who looks more like a marine than Efron). The climactic storm at the end provides the opportunity for Logan to come clean and for Keith to prove he isn't a complete loser, allowing romance to bloom between the central couple. In drawing from the novel by Nicholas Sparks, Shine's Scott Hicks offers a picture-postcard romance that feels too much like a Lifetime movie. Though Efron, who made a stronger impression in Me and Orson Welles, never overacts, his recessive performance renders Logan more opaque than necessary. --Kathleen C. Fennessy

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