Life as We Know It
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- Buy New: $2.92
as of 10/1/2014 05:16 EDT details
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- Sales Rank:5,540
- Format:Multiple Formats, AC-3, Color, Dolby, NTSC, Widescreen
- Languages:English (Unknown), English (Original Language)
- Number Of Discs:1
- Rating:PG-13 (Parental Guidance Suggested)
- Aspect Ratio:1.77:1
- Shipping Weight (lbs):0
- Dimensions (in):7.5 x 0.5 x 5.5
- Release Date:February 8, 2011
Availability:Usually ships in 1-2 business days
- Brand Name: WHV Mfg#: 883929139170
- Shipping Weight: 0.22 lbs
- All music products are properly licensed and guaranteed authentic.
Holly (Katherine Heigl) is an up-and-coming caterer and Messer (Josh Duhamel) is a promising network sports director. After a disastrous first date, all they have is common is their dislike for each other and their love for their goddaughter Sophie. But when they suddenly become all Sophie has in this world, Holly and Messer must set their differences aside. Judging career ambitions and competing social calendars, they’ll have to find common ground while living under the same roof. Josh Lucas, Christina Hendricks, Hayes MacArthur and Jean Smart co-star in this tart and tender romantic comedy directed by Greg Berlanti (TV’s Brothers & Sisters and Everwood).
In Life as We Know It, Katherine Heigl and Josh Duhamel discover that their closest friends have appointed them guardians of their child in the unlikely event of their joint death--an unlikely event that has just happened. Make no mistake: There's no reason this movie should have been any good. The premise is the worst kind of formulaic Hollywood claptrap; the pleasant but cautious Heigl (Knocked Up) is playing yet another uptight fussbudget; since a promising movie debut in the underrated Win a Date with Tad Hamilton!, Duhamel has largely coasted on his looks in tripe like the Transformers movies--yet Life as We Know It is surprisingly likable. After the movie gets through the basic exposition--and navigates some radical shifts in tone with unexpected deftness--the script somehow manages to make its clichés into something resembling real human situations. The colorful supporting characters are all entertainingly written and well played by a solid cast. And both Heigl and Duhamel give understated, engaging performances that manage to make the inevitable conclusion seem almost not inevitable. Director Greg Berlanti (The Broken Hearts Club) deserves kudos for skillfully balancing humor and pathos and turning this unpromising material into a sincere and enjoyable movie. --Bret Fetzer
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