The Devil's Own
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as of 12/6/2013 20:27 EST details
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- Sales Rank:49,002
- Format:Anamorphic, Closed-captioned, Color, Dolby, Full Screen, NTSC, Subtitled, Widescreen
- Languages:English (Unknown), English (Subtitled), Spanish (Subtitled), French (Subtitled), English (Original Language), Spanish (Original Language), French (Dubbed)
- Number Of Discs:1
- Running Time:107 Minutes
- Rating:R (Restricted)
- Edition:DVD Video
- Aspect Ratio:2.35:1
- Shipping Weight (lbs):0.3
- Dimensions (in):7.5 x 5 x 0.6
- Publication Date:February 1998
Availability:Usually ships in 24 hours
- Actors: Harrison Ford, Brad Pitt, Margaret Colin, Rubén Blades, Treat Williams.
- Format: Anamorphic, Closed-captioned, Color, Dolby, DVD, Full Screen, Subtitled, Widescreen, NTSC.
- Language: English (Dolby Digital 2.0 Surround), English (Dolby Digital 5.1), French (Dolby Digital 2.0 Surround), Spanish (Dolby Digital 2.0 Surround). Subtitles: English, Spanish, French.
- Region: Region 1 (U.S. and Canada only).
- Rated R. Run Time: 107 minutes.
Harrison Ford, Brad Pitt. An Irish-American cop living in New York City discovers that his new boarder is actually an IRA terrorist on a deadly mission. 1997/color/111 min/R/widescreen.
Any movie starring Brad Pitt and Harrison Ford has got to be worth seeing, right? That's as close to a guarantee as this well-meaning thriller ever gets, however, and the talents of Pitt and Ford are absolutely vital in making any sense out of this dramatically muddled scenario. Ostensibly the movie's about an IRA terrorist (Pitt) who escapes from British troops in Belfast and travels to New York City, where he stays in the home of a seasoned cop (Ford) who has no idea of the terrorist's true identity. (Why a veteran cop would host a complete stranger in his home is one of those shaky details you're better off not thinking about.) But while Pitt's passionate character waits to make an arms deal for his IRA compatriots back in Ireland, The Devil's Own conveniently avoids any detailed understanding of the Northern Ireland conflict, focusing instead on the cop's moral dilemma when he discovers that his young guest is a terrorist. The film is superbly acted, and overall it's quite worthwhile, but don't look to it for an abundance of plot logic or an in-depth understanding of Protestant-Catholic tensions in Northern Ireland. (For that, take a look at In the Name of the Father or the underrated historical biopic Michael Collins.) --Jeff Shannon.
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