WINNER OF THE PULITZER PRIZE
An epic novel and a thrilling literary discovery, The Orphan Master’s Son follows a young man’s journey through the icy waters, dark tunnels, and eerie spy chambers of the world’s most mysterious dictatorship, North Korea.
NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • LONGLISTED FOR THE AMERICAN LIBRARY ASSOCIATION’S ANDREW CARNEGIE MEDAL • WINNER OF THE CALIFORNIA BOOK AWARD FOR FICTION • NEW YORK TIMES BESTSELLER
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Washington Post • Entertainment Weekly • The Wall Street Journal • Los Angeles Times • San Francisco Chronicle • Financial Times • Newsweek/The Daily Beast • The Plain Dealer • St. Louis Post-Dispatch • Milwaukee Journal Sentinel • Slate • Salon • BookPage • Shelf Awareness
“The single best work of fiction published in 2012 . . . The book’s cunning, flair and pathos are testaments to the still-formidable power of the written word.”—The Wall Street Journal
Pak Jun Do is the haunted son of a lost mother—a singer “stolen” to Pyongyang—and an influential father who runs Long Tomorrows, a work camp for orphans. There the boy is given his first taste of power, picking which orphans eat first and which will be lent out for manual labor. Recognized for his loyalty and keen instincts, Jun Do comes to the attention of superiors in the state, rises in the ranks, and starts on a road from which there will be no return.
Considering himself “a humble citizen of the greatest nation in the world,” Jun Do becomes a professional kidnapper who must navigate the shifting rules, arbitrary violence, and baffling demands of his Korean overlords in order to stay alive. Driven to the absolute limit of what any human being could endure, he boldly takes on the treacherous role of rival to Kim Jong Il in an attempt to save the woman he loves, Sun Moon, a legendary actress “so pure, she didn’t know what starving people looked like.”
Part breathless thriller, part story of innocence lost, part story of romantic love, The Orphan Master’s Son is also a riveting portrait of a world heretofore hidden from view: a North Korea rife with hunger, corruption, and casual cruelty but also camaraderie, stolen moments of beauty, and love. A towering literary achievement, The Orphan Master’s Son ushers Adam Johnson into the small group of today’s greatest writers.
Praise for The Orphan Master’s Son
“An exquisitely crafted novel that carries the reader on an adventuresome journey into the depths of totalitarian North Korea and into the most intimate spaces of the human heart.”—Pulitzer Prize citation
“Mr. Johnson has written a daring and remarkable novel, a novel that not only opens a frightening window on the mysterious kingdom of North Korea, but one that also excavates the very meaning of love and sacrifice.”—Michiko Kakutani, The New York Times
“Rich with a sense of discovery . . . The year is young, but The Orphan Master’s Son has an early lead on novel of 2012.”—The Daily Beast
“This is a novel worth getting excited about.”—The Washington Post
“[A] ripping piece of fiction that is also an astute commentary on the nature of freedom, sacrifice, and glory.”—Elle
An Amazon Best Book of the Month, January 2012: It is only January, but Adam Johnson’s astonishing novel is destined to cast a long shadow over the year in books. Jun Do is The Orphan Master’s Son, a North Korean citizen with a rough past who is working as a government-sanctioned kidnapper when we first meet him. He is hardly a sympathetic character, but sympathy is not author Johnson’s aim. In a totalitarian nation of random violence and bewildering caprice—a poor, gray place that nonetheless refers to itself as “the most glorious nation on earth”—an unnatural tension exists between a citizen’s national identity and his private life. Through Jun Do’s story we realize that beneath the weight of oppression and lies beats a heart not much different from our own—one that thirsts for love, acceptance, and hope—and that realization is at the heart of this shockingly believable, immersive, and thrilling novel. --Chris Schluep
When I arrived at Pyongyang's Sunan Airport a few years ago, my head was still spinning from a landing on a runway lined with cattle, electric fences and the fuselages of other jets whose landings hadn't gone so well. Even though I'd spent three years writing and researching The Orphan Master's Son, I was unprepared for what I was about to encounter in “the most glorious nation in the world.”
I'd started writing about North Korea because of a fascination with propaganda and the way it prescribes an official narrative to an entire people. In Pyongyang, that narrative begins with the founding of a glorious nation under the fatherly guidance of Kim Il Sung, is followed by years of industry and sacrifice among its citizenry, so that when Kim Jong Il comes to power, all is strength, happiness and prosperity. It didn't matter that the story was a complete fiction--every citizen was forced to become a character whose motivations, desires and fears were dictated by this script. The labor camps were filled with those who hadn't played their parts, who'd spoken of deprivation instead of plenitude and the purest democracy.
When I visited places like Pyongyang, Kaesong City, Panmunjom and Myohyangsan, I understood that a genuine interaction with a North Korean citizen was unlikely, since contact with foreigners was illegal. As I walked the streets, not one person would risk a glance, a smile, even a pause in their daily routine. In the Puhung Metro Station, I wondered what happened to personal desires when they came into conflict with a national story. Was it possible to retain a personal identity in such conditions, and under what circumstances would a person reveal his or her true nature? These mysteries--of subsumed selves, of hidden lives, of rewritten longings--are the fuel of novels, and I felt a powerful desire to help reveal what a dynastic dictatorship had forced these people to conceal.
Of course, I could only speculate on those lives, filling the voids with research and imagination. Back home, I continued to read books and seek out personal accounts. Testimonies of gulag survivors like Kang Chol Hwan proved invaluable. But I found that most scholarship on the DPRK was dedicated to military, political and economic theory. Fewer were the books that focused directly on the people who daily endured such circumstances. Rarer were the narratives that tallied the personal cost of hidden emotions, abandoned relationships, forgotten identities. These stories I felt a personal duty to tell. Traveling to North Korea filled me with a sense that every person there, from the lowliest laborer to military leaders, had to surrender a rich private life in order to enact one pre-written by the Party. To capture this on the page, I created characters across all levels of society, from the orphan soldier to the Party leaders. And since Kim Jong Il had written the script for all of North Korea, my novel didn't make sense without writing his role as well.
|Anti-tank devices seen while traveling south from Pyongyang toward Panmunj ||DPRK soldier |
|Air raid sirens ||Revelutionary Martyr's Cemetery on Mount Taesong|