Young Catherine Morland lives in a world of fantasy, where the intrigue of her favourite Gothic Romances is the truth of her private world, imposing itself throughout her life---but as she soon finds, life is both more and less mysterious than her guilty fireside pleasure would have her believe. The plain and sheltered daughter of an enterprising, but overprotective clergyman, Catherine is whisked away at seventeen by family friends into the socialite haven of Bath's winter festivities where she is exposed to characters both trustworthy and dangerous, but all make her question her perception of the world. Among them, there is Henry---the amiable but aloof love interest. Isabella---the trouble-making, overly flirtatious confidant with secret designs. And John, the self-involved braggart with his own delusions. Through these people, and the events that entwine them all, Catherine begins to see the world the way it truly is, for better or worse. Although Northanger Abbey was Jane Austen's first completed novel, it was not published until after her death.
Though Northanger Abbey
is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice
, and Sense and Sensibility
. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho
. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey
, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not
die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.
Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style. --Alix Wilber