2013 IBPA Benjamin Franklin Award Gold Winner in Cover Design - Small Format (Fiction)
Irish author Bram Stoker introduced the character of Count Dracula and provided the basis of modern vampire fiction in his 1897 novel entitled Dracula. Written as a series of letters, newspaper clippings, diary entries, and ships’ logs, the story begins with lawyer Jonathan Harker journeying to meet Dracula at his remote castle to complete a real estate transaction. Harker soon discovers that he is being held prisoner, and that Dracula has a rather disquieting nocturnal life. Touching on themes such as Victorian culture, immigration, and colonialism, among others, this timeless classic is sure to keep readers on the edge of their seats! Now available as part of the Canterbury Classics singles series, Dracula is a must-have addition to the libraries of all classic literature lovers.
Lexile score: 1060L
About the Word Cloud Classics series:
Classic works of literature with a clean, modern aesthetic! Perfect for both old and new literature fans, the Word Cloud Classics series from Canterbury Classics provides a chic and inexpensive introduction to timeless tales. With a higher production value, including heat burnished covers and foil stamping, these eye-catching, easy-to-hold editions are the perfect gift for
Dracula is one of the few horror books to be honored by inclusion in the Norton Critical Edition series. (The others are Frankenstein, The Turn of the Screw, Heart of Darkness, The Picture of Dorian Gray, and The Metamorphosis.) This 100th-anniversary edition includes not only the complete authoritative text of the novel with illuminating footnotes, but also four contextual essays, five reviews from the time of publication, five articles on dramatic and film variations, and seven selections from literary and academic criticism. Nina Auerbach of the University of Pennsylvania (author of Our Vampires, Ourselves) and horror scholar David J. Skal (author of Hollywood Gothic, The Monster Show, and Screams of Reason) are the editors of the volume. Especially fascinating are excerpts from materials that Bram Stoker consulted in his research for the book, and his working papers over the several years he was composing it. The selection of criticism includes essays on how Dracula deals with female sexuality, gender inversion, homoerotic elements, and Victorian fears of "reverse colonization" by politically turbulent Transylvania.