One of the true classics of American literature, The Wonderful Wizard of Oz has stirred the imagination of young and old alike for over four generations. Originally published in 1900, it was the first truly American fairy tale, as Baum crafted a wonderful out of such familiar items as a cornfield scarecrow, a mechanical woodman, and a humbug wizard who used old-fashioned hokum to express that universal theme, "There's no place like home." Follow the adventures of young Dorothy Gale and her dog, Toto, as their Kansas house is swept away by a cyclone and they find themselves in a strange land called Oz. Here she meets the Munchkins and joins the Scarecrow, Tin Woodman, and the Cowardly Lion on an unforgettable journey to the Emerald City, where lives the all-powered Wizard of Oz.
For many of us, the adventures of Dorothy in Oz will forever be associated not with Judy Garland singing "Somewhere Over the Rainbow" but with W. W. Denslow's exceedingly odd line drawings for the original editions of Baum's Oz series. The Viennese artist Lisbeth Zwerger, however, goes a long way toward providing a new and refreshed set of images for the Tin Man, the Cowardly Lion, and the humbug wizard. These illustrations are often cockeyed, with occasional realistic details thrown in, like a crow with a corncob in its beak in the first portrait of the Scarecrow. The characters have a poignance and oddity that escaped the makers of the Oz movie.