A wide variety of extremist groups -- Islamic fundamentalists, neo-Nazis -- share the oddly similar belief that a tiny shadowy elite rule the world from a secret room. In Them,
journalist Jon Ronson has joined the extremists to track down the fabled secret room.
As a journalist and a Jew, Ronson was often considered one of "Them" but he had no idea if their meetings actually took place. Was he just not invited? Them takes us across three continents and into the secret room. Along the way he meets Omar Bakri Mohammed, considered one of the most dangerous men in Great Britain, PR-savvy Ku Klux Klan Grand Wizard Thom Robb, and the survivors of Ruby Ridge. He is chased by men in dark glasses and unmasked as a Jew in the middle of a Jihad training camp. In the forests of northern California he even witnesses CEOs and leading politicians -- like Dick Cheney and George Bush -- undertake a bizarre owl ritual.
Ronson's investigations, by turns creepy and comical, reveal some alarming things about the looking-glass world of "us" and "them." Them is a deep and fascinating look at the lives and minds of extremists. Are the extremists onto something? Or is Jon Ronson becoming one of them?
In Them, British humorist Jon Ronson relates his misadventures as he engages an assortment of theorists and activists residing on the fringes of the political, religious, and sociological spectrum. His subjects include Omar Bakri Mohammed, the point man for a holy war against Britain (Ronson paints him as a wily buffoon); a hypocritical but engaging Ku Klux Klan leader; participants in the Ruby Ridge and Waco, Texas, battles; the Irish Protestant firebrand Ian Paisley; and David Ickes, who believes that the semi-human descendants of evil extraterrestrial 12-foot-tall lizards walk among us. Despite these characters' disparities, they are bound by a belief in the Bilderberg Group, the "secret rulers of the world." In a final chapter, Ronson manages, with surprising ease, to penetrate these rulers' very lair. He writes with wry, faux-naive wit and eschews didacticism, instead letting his subjects' words and actions speak for themselves. --H. O'Billovitch