"They stood in the doorway and stomped the rain from their boots and swung their hats and wiped the water from their faces. Out in the streets the rain slashed through the standing water driving the gaudy red and green colors of the neon signs to wander and seethe..." Thus begins Brad Pitt's throaty, near whispered telling of Cormac McCarthy's Cities of the Plain
, the final installment of the Border Trilogy, which includes All the Pretty Horses
and The Crossing
. Pitt captures the essence of young John Grady, a pensive cowboy and brilliant horseman working a ranch in southeastern Texas in the early 1950s. Pitt glides smoothly from one character to another with subtle changes in voice and accent (although you'd never peg him as a fluent Spanish speaker); his performance gives enough to understand the differences in personality without ever becoming cute or obnoxious.
On the ranch, John Grady joins up with Billy Parham, and the two form an abiding friendship. Though Parham is much more a realist, he finds himself drawn further into Grady's dreams, namely a beautiful teenaged Mexican whore whom John Grady is determined to release from bondage and to marry. Through physical injuries, personal trauma, and many dangerous trips across the Mexican border, the two young men struggle to do what they think will make things right. A full cast of cowboys, landowners, barkeeps, pimps, and desperate whores set the stage for the final curtain call on the American West. (running time 3 hours, 2 cassettes) --Colleen Preston