Strict Standards: Redefining already defined constructor for class XML_Parser in /home/sites/www.americanpoems.com/web/store/aom/includes/os.php on line 1188

Strict Standards: Declaration of XML_Parser::raiseError() should be compatible with PEAR::raiseError($message = NULL, $code = NULL, $mode = NULL, $options = NULL, $userinfo = NULL, $error_class = NULL, $skipmsg = false) in /home/sites/www.americanpoems.com/web/store/aom/includes/os.php on line 1604

Strict Standards: Declaration of XML_Unserializer::startHandler() should be compatible with XML_Parser::startHandler($xp, $elem, &$attribs) in /home/sites/www.americanpoems.com/web/store/aom/includes/os.php on line 3503

Strict Standards: Declaration of Cache_Lite_File::get() should be compatible with Cache_Lite::get($id, $group = 'default', $doNotTestCacheValidity = false) in /home/sites/www.americanpoems.com/web/store/aom/includes/cache.php on line 1020
American Poems: Books: Steelheart (The Reckoners)
Home
Apparel
Appliances
Books
DVD
Electronics
Home & Garden
Kindle eBooks
Magazines
Music
Outdoor Living
Software
Tools & Hardware
PC & Video Games
Location:
 Home » Books » Steelheart (The Reckoners)

Steelheart (The Reckoners)

Steelheart (The Reckoners)
Other Views:
  • List Price: $18.99
  • Buy New: $7.14
  • as of 12/19/2014 07:33 EST details
  • You Save: $11.85 (62%)
In Stock
  • Seller:GreenIceMedia
  • Sales Rank:9,930
  • Languages:English (Unknown), English (Original Language), English (Published)
  • Media:Hardcover
  • Number Of Items:1
  • Edition:First Edition
  • Pages:400
  • Shipping Weight (lbs):1.4
  • Dimensions (in):6.5 x 1.3 x 9.4
  • Publication Date:September 24, 2013
  • MPN:9780385743563
  • ISBN:0385743564
  • EAN:9780385743563
  • ASIN:0385743564
Availability:Usually ships in 1-2 business days

Also Available In:


Editorial Reviews:
Synopsis
Brandon Sanderson, the #1 New York Times bestselling author of Words of Radiance, coauthor of Robert Jordan’s Wheel of Time series, and creator of the internationally bestselling Mistborn Trilogy, presents Steelheart, the first book in the Reckoners series, an action-packed thrill ride that will leave readers breathless.
   Ten years ago, Calamity came. It was a burst in the sky that gave ordinary people extraordinary powers. The awed public started calling them Epics.
   Epics are no friends of man. With incredible gifts came the desire to rule. And to rule man, you must crush his will.
   Now, in what was once Chicago, an astonishingly powerful Epic named Steelheart has installed himself as emperor. Steelheart possesses the strength of ten men and can control the elements. It is said that no bullet can harm him, no sword can split his skin, and no fire can burn him. He is invincible. Nobody fights back . . . nobody but the Reckoners.
   A shadowy group of ordinary humans, the Reckoners spend their lives studying Epics, finding their weaknesses, and then assassinating them. And David wants in.
   When Steelheart came to Chicago, he killed David’s father. For years, like the Reckoners, David has been studying, and planning, and he has something they need. Not an object, but an experience.
   He has seen Steelheart bleed.
   And he wants revenge.

"A tense, fast-paced adventure. Brandon Sanderson is one of the best fantasy sci-fi writers working today." —Christopher Paolini, author of the New York Times and USA Today bestseller Eragon

“Fantastic! The suspense is relentless and the climax explosive.” —James Dashner, New York Times bestselling author of the Maze Runner series
 

Steelheart is another win for Sanderson, proving that he’s not a brilliant writer of epic fantasy, he’s simply a brilliant writer. Period.” —Patrick Rothfuss, author of the New York Times and USA Today bestseller The Name of the Wind

[STAR] “Snappy dialogue, bizarre plot twists, high-intensity action, and a touch of mystery and romance; it’s a formula that sucks readers into the prologue, slings them through one tension-filled encounter after the other, and then . . . leaves them panting for the sequel.” —Booklist, Starred
 
“The near-constant action, Sanderson’s whiz-bang imaginings, and a fully realized sense of danger . . . make this an absolute page-turner.” —Publishers Weekly
 
“Perfect for genre fans who love exciting adventure stories with surprising plot twists.” —School Library Journal
 
“A straight-up Marvel Comics–style action drama.” —Kirkus Reviews

Amazon.com Review

Q&A with Brandon Sanderson (Interviewed by James Dashner)

Mary C. Neal

Q. Brandon, you’re perhaps best known for your adult books—Mistborn, The Way of Kings, and particularly for finishing Robert Jordan’s The Wheel of Time series. However, recently you’ve undertaken several projects for younger readers. Why is that? How does it feel to be entering into the world of YA fiction? How does it differ from writing for an adult audience? How do you possibly think you can compete with your friend, James Dashner?

A. I've known this guy James Dashner for so long, and he was such an inspiration to me, and I thought, if this joker can do it, then I can too! The sci-fi/fantasy genre is what made a reader out of me, and it has a long history of crossing the line between YA and adult fiction. For example, you mentioned The Wheel of Time. In the early books, the main protagonists are all teenagers. Are these books YA? The publishers don't classify them that way. They’re shelved with the adult fantasy books. Books like that have influenced me in that some of the stories I tell fit into the mold that society says will package well as YA books. Other stories I tell—that are a thousand pages long—don’t seem to fit that mold. But I don’t sit down and say, “I’m writing for a teen audience now. I need to change my entire style.” Instead, I say, “This project and the way I’m writing it feels like it would work well for a teen audience.”

Q. In previous interviews, you’ve mentioned that you come up with characters, worlds, and magic systems independently and then fit them together to create a book. How is that different when writing a YA book like Steelheart? Are certain worlds or magic systems more suitable for YA readers? And how in the world did you get so smart?

A. Ha! I do a lot of talking about the process of writing. That makes it sound like I’m doing it more consciously than I am, but at this point I do most of it by instinct. I do take things like characters, settings, and magic systems—all these little fragments and pieces—and put them together into stories. Whether I’m writing YA or adult, this process doesn’t vary. Some of these elements feel better suited for a teen audience, so when everything starts coming together as it does when a book is forming for me, some stories naturally gravitate toward YA. To me Steelheart is distinctive because it was one of those stories where all the elements came together at the same time. Once I got the idea—people gaining super powers but only evil people getting them—the story basically started to write itself in my head. It happened during a four-hour drive along the East Coast, where by the end of it, I basically had this entire story. I knew where it was going, and I was really excited to write it. That's rare for me, but sometimes it does happen where everything clicks right at the beginning.

Q. Can you give us a sense of the world in which Steelheart takes place? Why do you think this world worked well for these particular characters?

A. Technically, Steelheart is set in a post-apocalyptic world where super villains gained powers and took over. I wanted it to feel alien and familiar at the same time and to be very visual. So I wrote it to be kind of like an action movie in book form. One of my catchphrases that I use when talking about writing is ”Err on the side of awesomeness.” So I wanted the setting and feel of the book to be visually distinctive and awesome.

When I designed Steelheart, the emperor of Chicago, I wanted him to have the power of transmutation—he turns things into steel. The idea that, in a burst of power, he turned the entire city—and even part of the lake—into steel was fascinating to me. This renders a lot of things useless. When your streetlights and all their wiring have been turned into steel, everything short circuits and doesn’t work anymore. You can’t get into buildings because their doors and windows have been melded together. The whole city has become a shell—like the husk of a dead beetle—and people have built on top of it. It’s always perpetual twilight there, so we’ve got this cool feel of everything being steel at night.


CERTAIN CONTENT THAT APPEARS ON THIS SITE COMES FROM AMAZON SERVICES LLC. THIS CONTENT IS PROVIDED ‘AS IS’ AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME.
Brought to you by American Poems