Harcourt is proud to introduce new annotated editions of three Virginia Woolf classics, ideal for the college classroom and beyond. For the first time, students reading these books will have the resources at hand to help them understand the text as well as the reasons and methods behind Woolf's writing. We've commissioned the best-known Woolf scholars in the field to provide invaluable introductions, editing, critical analysis, and suggestions for further reading. These much-awaited volumes are the first of many annotated Woolf editions Harcourt plans on publishing in the coming years.
This brilliant novel explores the hidden springs of thought and action in one day of a woman's life. Direct and vivid in her account of the details of Clarissa Dalloway's preparations for a party she is to give that evening,Woolf ultimately managed to reveal much more; for it is the feeling behind these daily events that gives Mrs. Dalloway its texture and richness and makes it so memorable.
Annotated and with an introduction by Bonnie Scott
As Clarissa Dalloway walks through London on a fine June morning, a sky-writing plane captures her attention. Crowds stare upwards to decipher the message while the plane turns and loops, leaving off one letter, picking up another. Like the airplane's swooping path, Virginia Woolf's Mrs. Dalloway
follows Clarissa and those whose lives brush hers--from Peter Walsh, whom she spurned years ago, to her daughter Elizabeth, the girl's angry teacher, Doris Kilman, and war-shocked Septimus Warren Smith, who is sinking into madness.
As Mrs. Dalloway prepares for the party she is giving that evening, a series of events intrudes on her composure. Her husband is invited, without her, to lunch with Lady Bruton (who, Clarissa notes anxiously, gives the most amusing luncheons). Meanwhile, Peter Walsh appears, recently from India, to criticize and confide in her. His sudden arrival evokes memories of a distant past, the choices she made then, and her wistful friendship with Sally Seton.
Woolf then explores the relationships between women and men, and between women, as Clarissa muses, "It was something central which permeated; something warm which broke up surfaces and rippled the cold contact of man and woman, or of women together.... Her relation in the old days with Sally Seton. Had not that, after all, been love?" While Clarissa is transported to past afternoons with Sally, and as she sits mending her green dress, Warren Smith catapults desperately into his delusions. Although his troubles form a tangent to Clarissa's web, they undeniably touch it, and the strands connecting all these characters draw tighter as evening deepens. As she immerses us in each inner life, Virginia Woolf offers exquisite, painful images of the past bleeding into the present, of desire overwhelmed by society's demands. --Joannie Kervran Stangeland