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The Shoemaker's Wife: A Novel

  • List Price: $17.99
  • Buy Used: $1.52
  • as of 9/16/2014 05:44 EDT details
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  • Seller:Motor_City_Books
  • Sales Rank:1,616,168
  • Format:International Edition
  • Languages:English (Unknown), English (Original Language), English (Published)
  • Media:Paperback
  • Number Of Items:1
  • Pages:496
  • Shipping Weight (lbs):1.2
  • Dimensions (in):8.9 x 6.1 x 1.6
  • Publication Date:2012
  • ISBN:0062206184
  • EAN:9780062206183
  • ASIN:0062206184
Availability:Usually ships in 1-2 business days

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Editorial Reviews:
Synopsis

The majestic and haunting beauty of the Italian Alps is the setting of the first meeting of Enza, a practical beauty, and Ciro, a strapping mountain boy, who meet as teenagers, despite growing up in villages just a few miles apart. At the turn of the last century, when Ciro catches the local priest in a scandal, he is banished from his village and sent to hide in America as an apprentice to a shoemaker in Little Italy. Without explanation, he leaves a bereft Enza behind. Soon, Enza's family faces disaster and she, too, is forced to go to America with her father to secure their future.

Unbeknownst to one another, they both build fledgling lives in America, Ciro masters shoemaking and Enza takes a factory job in Hoboken until fate intervenes and reunites them. But it is too late: Ciro has volunteered to serve in World War I and Enza, determined to forge a life without him, begins her impressive career as a seamstress at the Metropolitan Opera House that will sweep her into the glamorous salons of Manhattan and into the life of the international singing sensation, Enrico Caruso.

From the stately mansions of Carnegie Hill, to the cobblestone streets of Little Italy, over the perilous cliffs of northern Italy, to the white-capped lakes of northern Minnesota, these star-crossed lovers meet and separate, until, finally, the power of their love changes both of their lives forever.

Lush and evocative, told in tantalizing detail and enriched with lovable, unforgettable characters, The Shoemaker's Wife is a portrait of the times, the places and the people who defined the immigrant experience, claiming their portion of the American dream with ambition and resolve, cutting it to fit their needs like the finest Italian silk.

This riveting historical epic of love and family, war and loss, risk and destiny is the novel Adriana Trigiani was born to write, one inspired by her own family history and the love of tradition that has propelled her body of bestselling novels to international acclaim. Like Lucia, Lucia, The Shoemaker's Wife defines an era with clarity and splendor, with operatic scope and a vivid cast of characters who will live on in the imaginations of readers for years to come.

Amazon.com Review
Kathryn Stockett Interviews Adriana Trigiani

Kathryn Stockett was born and raised in Jackson, Mississippi. After graduating from the University of Alabama with a degree in English and Creative Writing, she moved to New York City, where she worked in magazine publishing and marketing for nine years. The Help is her first novel.

Kathryn Stockett: This is by far your most epic novel to date. How long did it take you to write The Shoemaker’s Wife?

Adriana Trigiani: I worked on this story for over 20 years as I wrote scripts and novels and had my own family. There are scraps of paper, dinner napkins, and bills with timelines and notes scrawled across them. There are old notebooks filled with my grandmother’s musings from 1985. I collected train tickets, copies of ships’ manifests, and a silk tag with my grandmother’s name from garments she had created. I traveled as far as the Italian Alps and as close as the few blocks it takes me to walk to Little Italy in New York City to capture the historical aspects of the story. All of this went into the novel. It was a delicious gestation period.

Stockett: This is a novel, but it is inspired by a true story—a family story, right?

Trigiani: Yes—my grandparents, Lucia and Carlo. Their love was a dance with fate. It is riddled with near misses against a landscape of such massive world events that it’s a wonder they got together at all. My challenge was to present their world to the reader so it might feel it was happening in the moment. I wanted the reader to have the experience I had when stories were told to me by the woman who lived them.

Stockett: The novel takes place during the first half of the twentieth century--what is so compelling about this period of time to you?

Trigiani: The cusp of the twentieth century was a time everything was new—cars, phones, planes, electricity, even sportswear, and in each innovation was a kind of explosive potential. No one could predict where all the inventions would lead, people only knew that change was unavoidable.

My grandparents were delighted every time America presented them with something they had never seen before. And my grandparents’ sense of wonder never left them, so I tried not to let it leave the page, be it a cross-country train ride or the first snap of the bobbin on an electric Singer sewing machine.

Stockett: Through the remarkable story of Enza and Ciro, your novel tells the larger story of the immigrant experience in America.

Trigiani: What a gift immigrants were and are to this country! They bring their talents and loyalty and make our country even greater. My grandparents were proud to be new Americans. Assimilation was not about copying an American ideal, but aspiring to their own version of it. The highest compliment you could pay a fellow immigrant was: he (or she) was a hard worker. I hear the phrase work like an immigrant said, but really, it’s bigger than that—we must also dream like immigrants.

Stockett: The Shoemaker’s Wife seamlessly brings together fictional characters and historical figures—how did the wonderful Caruso enter the novel?

Trigiani: It started with a three-foot stack of vinyl records—my grandmother Lucia’s collection of Caruso. Her absolute devotion to The Great Voice lasted her whole life long. I knew, in order to write this novel, I had to fall in love with Caruso too, because he sang the score of my grandparents’ love affair.

When Lucia passed, I went to my first opera, seeking understanding and comfort. As the music washed over me, I began to understand why my grandmother was such a fan. The words were Italian, and the emotions were big; nothing was left unexpressed in the music. If only life were that way.


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