Placed in the context of twentieth-century moral disasterwar, genocide, the Holocaust, the atomic bombForch's third collection of poems is a mediation on memory, specifically on how memory survives the unimaginable. The poems reflect the effects of such experience: the lines, and often the images within them, are fragmented, discordant. But read together, these lines become a haunting mosaic of grief, evoking the necessary accommodations human beings make to survive what is unsurvivable.
These are personal poems, poems startling in their honesty and humility, poems that bear witness rather than explain or resolve. Carolyn Forch describes her book in a note to the reader. "The Angel of History is now about experiences. It is for me the opening of a wound, the muffling and silence of a decade, and it is also a gathering of utterances that have lifted away from the earth and wrapped it in a weather of risen words. These utterances issue from my own encounter with the events of this century but do not represent 'it.' The First-person, free-verse, lyric-narrative poem of my earlier years has given way to a work which has desired its own bodying forth: polyphonic, broken, haunted, and in ruins, with no possibility of restoration."
An ambitious and compelling collection, The Angel of History may also be groundbreaking. As poets have always done, Carolyn Forch attempts to gibe voice to the unutterable, using language to keep memory alive, relive history, make tracks in an empty field, and link the past with the future.