HBO's hit series A GAME OF THRONES is based on George R R Martin's internationally bestselling series A SONG OF ICE AND FIRE, the greatest fantasy epic of the modern age. A STORM OF SWORDS is the third volume in the series. A beautifully presented slipcased edition of A STORM OF SWORDS. The Seven Kingdoms are divided by revolt and blood feud, and winter approaches like an angry beast. Beyond the Northern borders, wildlings leave their villages to gather in the ice and stone wasteland of the Frostfangs. From there, the renegade Brother Mance Rayder will lead them South towards the Wall. The men of the Night's Watch are ready for the coming of a great cold and the walking corpses that travel with it. But now they face a horde of wildlings twenty-thousand strong - hungry savage people steeped in the dark magic of the haunted wilderness - poised to invade the Kingdom of the North where Robb Stark wears his new-forged crown. But Robb's defences are ranged against attack from the South, the land of House Stark's enemies the Lannisters. His sisters are trapped there, dead or likely yet to die, at the whim of the Lannister boy-king Joffrey or his depraved mother Cersei, regent of the Iron Throne. Cersei's ambition is unfettered while the dwarf Tyrion Lannister fights for his life, a victim of treachery. And on the other side of the ocean, the last of the Targaryens rears the dragons she hatched from her husband's funeral pyre. Daenerys Stormborn will return to the land of her birth to avenge the murder of her father, the last Dragon King on the Iron Throne.
Is George R.R. Martin for real? Can a fantasy epic actually get better
with each new installment? Fans of the genre have glumly come to expect go-nowhere sequels from other authors, so we're entitled to pinch ourselves over Martin's tightly crafted Song of Ice and Fire series. The reports are all true: this series is the real deal, and Martin deserves his crown as the rightful king of the epic. A Game of Thrones
got things off to a rock-solid start, A Clash of Kings
only exceeded expectations, but it's the Storm of Swords
hat trick that cements Martin's rep as the most praiseworthy fantasy author to come along since that other R.R.
Like the first two books, A Storm of Swords could coast on the fundamentals: deftly detailed characters, convincing voices and dialogue, a robust back-story, and a satisfyingly unpredictable plot. But it's Martin's consistently bold choices that set the series apart. Every character is fair game for the headman's axe (sometimes literally), and not only do the good guys regularly lose out to the bad guys, you're never exactly sure who you should be cheering for in the first place.
Storm is full of admirable intricacies. Events that you thought Martin was setting up solidly for the first two books are exposed as complex feints; the field quickly narrows after the Battle of the Blackwater and once again, anything goes. Robb tries desperately to hold the North together, Jon returns from the wildling lands with a torn heart, Bran continues his quest for the three-eyed crow beyond the Wall, Catelyn struggles to save her fragile family, Arya becomes ever more wolflike in her wanderings, Daenerys comes into her own, and Joffrey's cruel rule from King's Landing continues, making even his fellow Lannisters uneasy. Martin tests all the major characters in A Storm of Swords: some fail the trial, while others--like Martin himself--seem to only get stronger. --Paul Hughes