HarperCollins is proud to present its new range of best-loved, essential classics. 'We are in Transylvania; and Transylvania is not England. Our ways are not your ways, and there shall be to you many strange things.' Earnest and naive solicitor Jonathan Harker travels to Transylvania to organise the estate of the infamous Count Dracula at his crumbling castle in the ominous Carpathian Mountains. Through notes and diary entries, Harker keeps track of the horrors and terrors that beset him at the castle, telling his fiance Mina of the Count's supernatural powers and his own imprisonment. Although Harker eventually manages to escape and reunite with Mina, his experiences have led to a mental breakdown of sorts. Meanwhile in England, Mina's friend Lucy has been bitten and begins to turn into a vampire. With the help of Professor Van Helsing, a previous suitor of Lucy's, Seward, and Lucy's fiance Holmwood attempt to thwart Count Dracula and his attempts on Lucy and consequently Mina's life. Arguably the most enduring Gothic novel of the 19th Century, Bram Stoker's Dracula is as chilling today in its depiction of the vampire world and its exploration of Victorian values as it was at its time of publication.
Dracula is one of the few horror books to be honored by inclusion in the Norton Critical Edition series. (The others are Frankenstein, The Turn of the Screw, Heart of Darkness, The Picture of Dorian Gray, and The Metamorphosis.) This 100th-anniversary edition includes not only the complete authoritative text of the novel with illuminating footnotes, but also four contextual essays, five reviews from the time of publication, five articles on dramatic and film variations, and seven selections from literary and academic criticism. Nina Auerbach of the University of Pennsylvania (author of Our Vampires, Ourselves) and horror scholar David J. Skal (author of Hollywood Gothic, The Monster Show, and Screams of Reason) are the editors of the volume. Especially fascinating are excerpts from materials that Bram Stoker consulted in his research for the book, and his working papers over the several years he was composing it. The selection of criticism includes essays on how Dracula deals with female sexuality, gender inversion, homoerotic elements, and Victorian fears of "reverse colonization" by politically turbulent Transylvania.