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February 9th, 2010 - we have 234 poets, 8,023 poems and 18,521 comments.
T.S. Eliot - Gerontion

Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both.


HERE I am, an old man in a dry month,
Being read to by a boy, waiting for rain.
I was neither at the hot gates
Nor fought in the warm rain
Nor knee deep in the salt marsh, heaving a cutlass,
Bitten by flies, fought.
My house is a decayed house,
And the jew squats on the window sill, the owner,
Spawned in some estaminet of Antwerp,
Blistered in Brussels, patched and peeled in London.
The goat coughs at night in the field overhead;
Rocks, moss, stonecrop, iron, merds.
The woman keeps the kitchen, makes tea,
Sneezes at evening, poking the peevish gutter.
I an old man,
A dull head among windy spaces.

Signs are taken for wonders. “We would see a sign!”
The word within a word, unable to speak a word,
Swaddled with darkness. In the juvescence of the year
Came Christ the tiger
In depraved May, dogwood and chestnut, flowering judas,
To be eaten, to be divided, to be drunk
Among whispers; by Mr. Silvero
With caressing hands, at Limoges
Who walked all night in the next room;

By Hakagawa, bowing among the Titians;
By Madame de Tornquist, in the dark room
Shifting the candles; Fräulein von Kulp
Who turned in the hall, one hand on the door. Vacant shuttles
Weave the wind. I have no ghosts,
An old man in a draughty house
Under a windy knob.

After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions,
Guides us by vanities. Think now
She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What’s not believed in, or if still believed,
In memory only, reconsidered passion. Gives too soon
Into weak hands, what’s thought can be dispensed with
Till the refusal propagates a fear. Think
Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.

The tiger springs in the new year. Us he devours. Think at last
We have not reached conclusion, when I
Stiffen in a rented house. Think at last
I have not made this show purposelessly
And it is not by any concitation
Of the backward devils
I would meet you upon this honestly.
I that was near your heart was removed therefrom
To lose beauty in terror, terror in inquisition.
I have lost my passion: why should I need to keep it
Since what is kept must be adulterated?
I have lost my sight, smell, hearing, taste and touch:
How should I use them for your closer contact?
These with a thousand small deliberations
Protract the profit of their chilled delirium,
Excite the membrane, when the sense has cooled,
With pungent sauces, multiply variety
In a wilderness of mirrors. What will the spider do,
Suspend its operations, will the weevil
Delay? De Bailhache, Fresca, Mrs. Cammel, whirled
Beyond the circuit of the shuddering Bear
In fractured atoms. Gull against the wind, in the windy straits
Of Belle Isle, or running on the Horn,
White feathers in the snow, the Gulf claims,
And an old man driven by the Trades
To a sleepy corner.

Tenants of the house,
Thoughts of a dry brain in a dry season.

Added: on March 4th, 2009 at 2:56 PM | Viewed: 20695 times | Comments and analysis of Gerontion by T.S. Eliot Comments (18)


Gerontion - Comments and Information

Poet: T.S. Eliot (T.S. Eliot Art)
Poem: 1. Gerontion
Volume: Poems
Year: Published/Written in 1920

Comment 18 of 18, added on January 30th, 2010 at 4:06 PM.
Gerontion

I Gerontion is one of the most loved poems in Eglish literature.It is a poem by T.S.Eliot .

"Gerontion" is a poem by T. S. Eliot that was first published in 1920. The work relates the opinions and impressions of a gerontic, or elderly man through a dramatic monologue which describes Europe after World adulterated. Thispoem ends with words that convey a defeated man, in....War I through the eyes of a man who has lived the majority of his life in the 19th Century. .[1] Eliot considered using this already published poem as a preface to The Waste Land, but decided to keep it as an independent poem.[2] Along with The Love Song of J. Alfred Prufrock and The Waste Land, and other works published by Eliot in the early part of his career, Gerontion discusses themes of religion, sexuality, and other general topics of Modernist poetry.I think the poem itself has more interpretion within the title of it.To be analysed.it needs succesful poit like Eliot himself to explain its unclear and clear interpretations.


Tariq from Yemen
Comment 17 of 18, added on January 13th, 2010 at 1:32 PM.

poetry gets boring when it is overcomplicated, just like in this case. what we agree upon or disagree with is decided by what explanations we get from other sources. what a waste....

shubho from India
Comment 16 of 18, added on March 4th, 2009 at 2:56 PM.

I agree with that last comment; both ways of interpreting are valid and I believe necessary. But I do believe that as you seriously analyze a work, you should fully understand both the allusions, and the author. I think, especially concerning Eliot, understanding the time [period], knowing the authors life, and understanding his beliefs and purposes are absolutely necessary to analyzing a work. For Eliot and his peers, the ideas of modernistic thought were fascinating. Also Eliot was not irreverently relgious, but had sincere faith. Many of the accusations that he was anti-semitic or even irrevent toward his own faith can easily be disposed of in understanding the crisis and peaceful necessity of faith to any believer. Gerontion is entirely a poem about that crisis and peace imbedded in faith, and while it deals with many concepts, it returns to being "thoughts of a dry brain in a dry season". Eliot also borrows much from other belief systems: Eliot was a christian but he was mentored by Pound who had a fascination with Eastern thought, and as he Eliot worked so closely together, his influence ought be calculated. There is a great necessity of affectation in analyzing Eliot's poetry, because as a modernist and for runner of post-modernism, Eliot inadvertantly felt a huge conciousness of individual perception and experience, which subsequently underscores his work. Eliot also toyed with Gerontion as a prelude to The Wasteland, and as I believe can be noted with many of his noteable works, there are clear connections between Gerontion and the Wasteland. Also as one embarks into Gerontion, the importance of words in and of themselves should be accopunted for; as he notes "the word within a word", and so understanding origins and etymologies of certain words is a necessity, as knowing their functions in various cultures and their place in ours today. Is it any accident that Eliot is devored by Christ the Tiger? Not lion, as so often the association goes- to continue the parallel of Isreal (God's chosen nation) as a lion. Eliot dissociates Christ from Isreal, as he was dissociated from his family and people. Also by no accident, a tiger and goat have thier place on the chinese zodiac. The modernist/postmodernist trick is the merging of so many thoughts and concepts, as "these tears are shaken from the warth-bearing tree"(could it be the cross, connecting to the tree of knowledge, as referenced in "after such knowledge, what forgiveness?")- or as experience kills us, according to the "backward devils" (possibly the hypocrites and leaders of all which is orthadox?). Experience is vital to Eliot's work; as he meets you with all he is and all he's got, so you must meet him in the same way. So much more could be said, but I'll save it for another time.

Ashley from United States

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