|
Poet: T.S. Eliot (T.S. Eliot Art)
Poem: 3.
Preludes
Volume: Prufrock and Other Observations
Year: Published/Written in 1917
Poem of the Day:
Sep 26 2007
Comment 27 of 27, added on March 31st, 2009 at 3:36 AM.
As an inseperable part of the modernist movement in poetry, "Preludes" offers an insight into the impersonal, anti-romatic, psychological and provocative style framed by Eliot which was to characterise major modern poems of the era. So much stark is the depiction of the dingy milieu of emotionless city life that all positive aspects have been deliberately subdued to the depiction of dirt. Finally the non-committal, cynical existential outlook of the poet persists in his gestures of wiping his hand over his mouth with a futile laughter. At a rare instance of being personal the poet ultimately surrenders his feelings of disgust as he can no longer hold on to the pessimism he comes across.
Chiranjit Kr. Nandy from India
Comment 26 of 27, added on February 20th, 2008 at 1:36 PM.
Wow, this poem is amazing. I mean there is a prostitute a poor, under-payed, over-worked, poor worker. It is all the poem you will ever need on those lonely, cold nights - when nothing's on the tele.
Terence Govender from South Africa
Comment 25 of 27, added on April 25th, 2007 at 6:20 AM.
Hi I'm in grade 11 and I am studying 5 of T.S. Eliot's poems and one of them happens to be Preludes. I find analyzing Preludes and his other poems are really hard!
Pris from Australia
Are you looking for more information on this poem? Perhaps you are trying to analyze it? The poem, Preludes, has received 27 comments. Click here to read them, and perhaps post a comment of your own. Of course you can also always discuss poems by T.S. Eliot with others on the American Poems poetry forum!
|
As an inseperable part of the modernist movement in poetry, "Preludes" offers an insight into the impersonal, anti-romatic, psychological and provocative style framed by Eliot which was to characterise major modern poems of the era. So much stark is the depiction of the dingy milieu of emotionless city life that all positive aspects have been deliberately subdued to the depiction of dirt. Finally the non-committal, cynical existential outlook of the poet persists in his gestures of wiping his hand over his mouth with a futile laughter. At a rare instance of being personal the poet ultimately surrenders his feelings of disgust as he can no longer hold on to the pessimism he comes across.
Chiranjit Kr. Nandy from India