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Comment 76 of 106, added on July 9th, 2012 at 9:02 PM.
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Comment 75 of 106, added on July 9th, 2012 at 6:13 AM.
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Comment 74 of 106, added on June 5th, 2012 at 3:42 AM.
I grow old (Prufrock Ode)
This I heard many, many times from one of my old teachers in the mid 1960s
(he has long since passed away).
Now, I am growing old and wearing the bottoms of my trousers rolled.
Soon to be awakened by the mermaids and then drown.
RIP
luca signorelli from United States
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Comment 67 of 106, added on February 27th, 2009 at 12:35 PM.
It is just an observation - Prufrock is neither a fictional nor a dramatic,
but a poetic character that I thought would serve as a thematic
counterpart.
First off, his 'Love Song' is a poem through which the tormented soul of
Prufrock is played out and understood by means of, strangely, his dramatic
monologue Eliot easily poeticized as a remarkably allusive poet. It is true
that the sad sack cannot shake himself loose from the internalized cultural
norms which shape his individual identity and psychological disposition.
Societal pressures are so stressfully pervasive that they lead those as
insecure as Prufrock to become even more insecure and self-defeatist. If
only he would ask the oft-touted "overwhelming question" that constricts
his freedom to be free with his expressions and rattle the universe as
normal people would, he will have been able to "return to the real world"
in the society of normal men and women.
From what I have read, the formulated man's emotional death-in-life is the
result of being trapped in his own raging tongues of fire (his own
insignificance, insecurity, inability to make decisions)from which he finds
no escape route.
Is "The Love Song of J Alfred Prufrock" really a love song capable of being
sung by one so at once incapable of expressing and securing love? How well
did Eliot lead us on!
Seng Moh from Canada
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tLqLHu Thank you ever so for you blog post.Really thank you! Want more.
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