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Sylvia Plath - Fever 103°

Pure? What does it mean?
The tongues of hell
Are dull, dull as the triple

Tongues of dull, fat Cerebus
Who wheezes at the gate. Incapable
Of licking clean

The aguey tendon, the sin, the sin.
The tinder cries.
The indelible smell

Of a snuffed candle!
Love, love, the low smokes roll
From me like Isadora's scarves, I'm in a fright

One scarf will catch and anchor in the wheel.
Such yellow sullen smokes
Make their own element. They will not rise,

But trundle round the globe
Choking the aged and the meek,
The weak

Hothouse baby in its crib,
The ghastly orchid
Hanging its hanging garden in the air,

Devilish leopard!
Radiation turned it white
And killed it in an hour.

Greasing the bodies of adulterers
Like Hiroshima ash and eating in.
The sin. The sin.

Darling, all night
I have been flickering, off, on, off, on.
The sheets grow heavy as a lecher's kiss.

Three days. Three nights.
Lemon water, chicken
Water, water make me retch.

I am too pure for you or anyone.
Your body
Hurts me as the world hurts God. I am a lantern ----

My head a moon
Of Japanese paper, my gold beaten skin
Infinitely delicate and infinitely expensive.

Does not my heat astound you. And my light.
All by myself I am a huge camellia
Glowing and coming and going, flush on flush.

I think I am going up,
I think I may rise ----
The beads of hot metal fly, and I, love, I

Am a pure acetylene
Virgin
Attended by roses,

By kisses, by cherubim,
By whatever these pink things mean.
Not you, nor him.

Not him, nor him
(My selves dissolving, old whore petticoats) ----
To Paradise.

Added: on June 22nd, 2005 at 7:39 AM | Viewed: 9889 times | Comments and analysis of Fever 103° by Sylvia Plath Comments (1)


Fever 103° - Comments and Information

Poet: Sylvia Plath
Poem: Fever 103°
Volume: The Collected Poems
Year: Published/Written in 1962

Comment 1 of 1, added on June 22nd, 2005 at 7:39 AM.

Fever at 103. In this poem the person is literally burning , as she tries to free herself from the sin, the sin. There is redemption and the possibility to resurrect which is a typical metaphor in Plath's poetry. The image of the final take-off towards paradise, as the ego is establishing itself, and the scarves flow away from the protagonist, multi-colored. After all what does it mean to be pure, unfettered by the roles of smoke or the water that makes us wretch. I see the surreal in the domestic as well, the unthinkable, the roses and camelias. Do we die to ourselves only to be reborn. The ultimate dissolution of the self only to be recreated, going to Paradise.

Julie from United States

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