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Comment 17 of 20, added on May 7th, 2009 at 1:44 AM.
In a world of rhythmic romanticism, Edward drew most a lot of inspiration
from motifs presented in the works of Robert Frost, as well as Edgar Lee
Masters. He used Frost's gift of bending meter to create vivid, vernacular
speech, while at the same time creating resplendent images with Masters'
approach to breach the human psychology. Robinson's style was adored by
Teddy Roosevelt, among others, for his catchy contemporary tone. He found
that drawing from his personal views of human behavior led to the
generation of wholly original works that everybody could relate to.
Nick Johnson from United States
Comment 16 of 20, added on May 6th, 2009 at 10:12 PM.
Luke Havergal does an excellent job with bringing Edwin Arlington
Robinson’s philosophies of life too words. He believed that failure was
only for those who gave no effort, and success was for the effort and
morality put into overcoming one’s lifelong dilemma. Luke Havergal has
lost his lover too death which sets a dark tone and along with powerful
imagery and rhyming signifies the end or climax of a plight. Although
committing suicide is considered a mortal sin it would send Luke Havergal
through the gate to hell with his lover. He is even given reassurance in
that “hell is more than half or paradise”. Robinson could have then
consider this a successful life mainly because Luke Havergal was willing to
give up life in his struggle for what he truly desired.
Alex Mercado from United States
Comment 15 of 20, added on May 6th, 2009 at 4:08 AM.
Edwin Arlington Robinson’s poem Luke Havergal is a dark love poem that is a
close to a sequel to Robinson’s poem the Winds Are Tearing Them Away. Luke
Havergal has a dark and depressing tone to it since it covers the topic of
a man debating to comic suicide to be with his lover in hell. Though
Robinson’s poem uses a mournful rhythm it was a poem that caught the
attention of President Theodore Roosevelt. President Roosevelt adored Luke
Havergal so much that he gave Robinson a job as a clerk in New York, which
is what finally, helped Robinson start his career. Not only that but
President Roosevelt wrote a review on The Children of the Night, which
featured Luke Havergal, to the public that made Robinson a best selling
author. It is very well that Robinson was inspired by the 19th century and
did not follow the rest of the 20th century writers. Robinson’s inspiration
is said to be Thomas Hardy’s romanticism and the naturalism of Emile Zola,
which we see reoccurring in his other poems.
from United States
Comment 14 of 20, added on February 11th, 2009 at 12:11 PM.
Viewers might like to know that this enigmatic poem is beautifully sung by
Thomas Hampson, America's foremost baritone, in an EMI album entitled "An
Old Song Resung".Really lovely.
EJReynolds from United States
Comment 13 of 20, added on October 12th, 2008 at 3:12 PM.
The protagonist Luke Havergal is grieving of his dead love. From the very
beginning of the poem it’s clear that narrator pushes Luke to the action of
going “to the western gate”. True meaning of the place becomes clear later
in the poem, which it’s not an actual gate, but it symbolizes death, the
end of life. The sun sits down at the west; therefore it represents the end
of the cycle, the darkness, night and death. And the word “gate” represents
the portal, the point of transition, the way to escape from the misery.
The 1st line of the 2nd stanza “No, there is not a dawn in eastern skies”
implies that there is no hope “to rift the fiery night that’s in your eyes”
– to get out of depression Luke is in. “But there, where western glooms are
gathering, the dark will end the dark if anything” – because there is no
hope for Luke in the eastern skies, the only direction that left for him is
“western glooms”, and there the “dark”-death will end the “dark”-misery.
The following lines of the poem were the most puzzling ones for me: “God
slays Himself with every leaf that flies, And hell is more than half of
paradise”. I felt like the narrator (unclear who at this point) is trying
to comfort Luke in the decision to kill himself by saying that even “God
slays”, and because Luke will definitely go to hell if he kills himself,
narrator describes hell as not that bad of a place to be. The stanza ends
with narrator repeating “not a dawn” line, emphasizing that there is no
hope, locking Luke in desperate set of mind.
In the third stanza narrator becomes an active character of the poem. The
parts “out of the grave” and “quench the kiss” clue me on the idea that the
speaker is Death, because in the Western culture grave is associated with
grave and usually Death kisses her chosen ones. By kissing Luke, Death will
“flame” his forehead, which implies madness, craziness. The words “blinds
you to the way that you must go” mean that Luke will be blinded and led to
the wrong path, sinful path, again suggesting the suicide. Then suicidal
intentions are confirmed by words “there is yet one way to where she is” –
Luke will join his love in death, “Bitter, but the one faith never miss” –
it’s painful to die, but it’s a sure way to reconnect with Her.
In the final stanza Death rushes Luke to the action. She hurries him
because the fatal western gate with its “crimson leaves” of depression is
fading away, as “winds are tearing them away”. Death warns him not to think
of anything “nor think” and lock his senses “nor anymore to feel”, as any
of those actions might change his suicidal mindset.
Victoria from United States
Comment 12 of 20, added on March 24th, 2008 at 7:11 PM.
I absolutely adore poetry. If I could, I would be a professor of poetry at
a university. I love to analyze and decipher the meanings of poems.
However, when I read this, I am not filled with images of apostles, gods,
or hells. I am overwhelmed with the melancholy image of a man searching for
his love, who waits for him in the setting sun of life. Their star crossed
love can be resurrected only in death. I believe the speaker is the man's
inner concience. However, I could be totally oblivious and off course. It
seems though that poetry, as reality, is naught but perception. The beauty
of this poem and its eloquence lies in the mind of the reader.
from United States
Comment 11 of 20, added on August 8th, 2007 at 10:49 AM.
If one continues with the idea of Luke being a reference to the apostle,
then, one must consider the etymological roots of Havergal. Really -
haver|gal. Haver comes from Hebrew with a Biblical meaning of "companion."
Gal - derived from Gall - has multiple meanings, here, I think it may refer
to the "bitterness of spirit, bitterness." A.E. Robinson even writes
"Bitter, but one..." so this offers an even stronger connection between
what is bitter (death, suicide) and a Haver (companion): a bitter (death,
dead) companion. Just a thought! :)
Brandon from United States
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