If you should look for this place after a handful
of lifetimes:
Perhaps of my planted forest a few
May stand yet, dark-leaved Australians or the coast
cypress, haggard
With storm-drift; but fire and the axe are devils.
Look for foundations of sea-worn granite, my fingers
had the art
To make stone love stone, you will find some remnant.
But if you should look in your idleness after ten
thousand years:
It is the granite knoll on the granite
And lava tongue in the midst of the bay, by the mouth
of the Carmel
River-valley, these four will remain
In the change of names. You will know it by the wild
sea-fragrance of wind
Though the ocean may have climbed or retired a little;
You will know it by the valley inland that our sun
and our moon were born from
Before the poles changed; and Orion in December
Evenings was strung in the throat of the valley like
a lamp-lighted bridge.
Come in the morning you will see white gulls
Weaving a dance over blue water, the wane of the moon
Their dance-companion, a ghost walking
By daylight, but wider and whiter than any bird in
the world.
My ghost you needn’t look for; it is probably
Here, but a dark one, deep in the granite, not
dancing on wind
With the mad wings and the day moon.

Analysis, meaning and summary of Robinson Jeffers's poem Tor House

1 Comment

  1. Regan says:

    It is a very beautiful poem, full of gorgeous images that i could just visualize, full of sorrowful longing.

Leave a Reply to Regan Cancel reply

Your email address will not be published. Required fields are marked *

Do you have any comments, criticism, paraphrasis or analysis of this poem that you feel would assist other visitors in understanding the meaning or the theme of this poem by Robinson Jeffers better? If accepted, your analysis will be added to this page of American Poems. Together we can build a wealth of information, but it will take some discipline and determination.