for Rene Magritte
The carpenter’s made a hole
In the parlor floor, and I’m standing
Staring down into it now
At four o’clock in the evening,
As Schliemann stood when his shovel
Knocked on the crowns of Troy.
A clean-cut sawdust sparkles
On the grey, shaggy laths,
And here is a cluster of shavings
>From the time when the floor was laid.
They are silvery-gold, the color
Of Hesperian apple-parings.
Kneeling, I look in under
Where the joists go into hiding.
A pure street, faintly littered
With bits and strokes of light,
Enters the long darkness
Where its parallels will meet.
The radiator-pipe
Rises in middle distance
Like a shuttered kiosk, standing
Where the only news is night.
Here’s it’s not painted green,
As it is in the visible world.
For God’s sake, what am I after?
Some treasure, or tiny garden?
Or that untrodden place,
The house’s very soul,
Where time has stored our footbeats
And the long skein of our voices?
Not these, but the buried strangeness
Which nourishes the known:
That spring from which the floor-lamp
Drinks now a wilder bloom,
Inflaming the damask love-seat
And the whole dangerous room.
I am a physics teacher who was acquainted personally with Richard Wilbur. Many phrases from his poems stick in my mind and illuminate daily and milestone experiences. One of these is “the buried strangeness/that nourishes the known.” For me it epitomizes physics, whose simple laws lie behind everything we see and experience in the physical world.