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Edgar Allan Poe - The Bells

I

Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.

II

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten-golden notes,
And an in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells,bells,
Bells, bells, bells-
To the rhyming and the chiming of the bells!

III

Hear the loud alarum bells-
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor,
Now- now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows:
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells-
Of the bells-
Of the bells, bells, bells,bells,
Bells, bells, bells-
In the clamor and the clangor of the bells!

IV

Hear the tolling of the bells-
Iron Bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people- ah, the people-
They that dwell up in the steeple,
All Alone
And who, tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone-
They are neither man nor woman-
They are neither brute nor human-
They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells-
Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
To the throbbing of the bells-
Of the bells, bells, bells-
To the sobbing of the bells;
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells-
Of the bells, bells, bells:
To the tolling of the bells,
Of the bells, bells, bells, bells-
Bells, bells, bells-
To the moaning and the groaning of the bells.

Added: on February 25th, 2009 at 9:11 AM | Viewed: 17452 times | Comments and analysis of The Bells by Edgar Allan Poe Comments (21)


The Bells - Comments and Information

Poet: Edgar Allan Poe (Edgar Allan Poe Art)
Poem: The Bells
Year: Published/Written in 1849

Comment 21 of 21, added on October 9th, 2009 at 4:21 PM.

That's a very nice interpretation, Mere. I will offer a different interpretation of stanza IV.

I believe the king is Death, not Fate. He is the king of the ghouls who tolls the bells. See Marsha Brady's definition of ghouls: "a legendary evil being that robs graves and feeds on corpses."

Also note that the iron bells are still referred to as "they" at the beginning of the stanza. "He" refers to the king that tolls the bells.

Clayton from United States
Comment 20 of 21, added on April 23rd, 2009 at 12:34 AM.

Alright. Let me start with a disclaimer. No one but Poe will ever have the exact right interpretation. I do not claim to have miraculous knowledge, only hours and hours of examination and more that one critical analysis paper for my AP class on this poem. Also it is CRITICAL to keep in mind that Poe's works were heavily swayed by his own belief system. Background information on the author will help you immensly on your journey to truth. The silver bells do NOT represent Christmas. Poe was very anti-religous and it tickled me that it was actually suggested that he identified himself with Christ. Poe lived in the 19th century. During that time it was customary to ring silver bells at a baby shower as a symbol of a good and long life. The first two stanzas are very similar. They promise "merriment" and "happines" and if you notice center around the future. Line three of both stanzas makes use of the word "foretells," typically associated with foreshadow. But is this joy and wonder of youth really the foreshadow of the future? Take a closer look. When do the stanzas take place? Midnight, an unheard of time to celebrate both a baby shower or a wedding. Go ahead, take a look, see how many times night is referenced. Night may represent many things, most commonly, death. This is the true foreshadow. The silver and gold bells with their promises of the future represent human expectation. Night represents fate. Poe is using this beautiful metaphor to assert that even from birth we are doomed to death. Also (in his opinion), love is doomed to death as well. Are you with me so far? Now on the stanza three, the brazen bells. There is a major shift of focus that ocurs in this stanza. The emphasis is no longer placed on the future but the present. The word "foretells" is replaced by just "tells" and the word "now" also appears in the stanza. Stanza one and two essentially set up the conflict between human expectation (hope) and fate. Battle lines were drawn beneath the flowery language and staza three passionately relates the results. What has the life become? Can hope ever outweigh fate? According to Poe, no. That is why the brazen bells tell of despair. The fourth stanza contains neither a prediction or relation, but rather, a reflection. Iron typically represents vast strength. Notice too for the first time the bells (iron) are given a pronoun "he." Alll the other bells are still referred to as "the." This alsone suggests the superiority of the iron bells. Additionally, "he" is given yet another name: the king. Throughout the entire fourth stanza "he" is the only happy character. He is "merry" while the other bells "sob," "moan," and "groan." Why? The king is fate. He is secure. He can be merry and laugh at the foolish toil of hope. Hope cries out because it knows the battle is lost and, recognizing fate as THE king, resolves to worship in him in it's sadness. That, if you didn't know, is what a paean is, a song of praise or worship. What does Poe say there is left for one to do, now that hope is dead, and dark fate has emerged triumphant? Sit. Sit and think. "What a world of solemn thought their monody compels!" line 82. There is no use in struggling against fate, in the end, every action of a human life is completely meaningless, what will be will be, regardless. This is not suprising. Poe was a fatalist. Please i would love responses. Tell me what YOU think. If you disagree, speak out! I'd be more that happy to have a discussion with you. If you want to ask me a question, go for it! Oh and btw this has absolutely nothing to do with my own personal beliefs. This is Poe's poem, Poe's worldview. I, in fact, strongly disagree with him.

Mere from United States
Comment 19 of 21, added on February 25th, 2009 at 9:11 AM.

the bells more like the balls of an old squirrel

god

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