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Comment 19 of 29, added on September 24th, 2013 at 3:38 PM.
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Comment 17 of 29, added on May 25th, 2013 at 9:19 AM.
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from Faroe Islands
Comment 16 of 29, added on January 17th, 2013 at 8:31 AM.
I always advise my students to differentiate between the personal life of
the poets/authors and their fictitious personae. In Millay’s text, there is
no linguistic evidence as to the the gender identity of the speaker: this
is to say the speaker can be male or female. Also there is no evidence
that the poet is talking about herself.
In the absence of gender indicators, the text could point to either a male
speaker boasting of the joys of indulgence in penile and anal sexual
activities “both ends”, or a female speaker receiving the light through
two out of three corporeal apertures “both ends” : oral, vaginal or
Prof. Dr. Visam Mansur from Turkey
Comment 15 of 29, added on March 28th, 2012 at 11:53 AM.
I never saw the bi reference....
Yuri from Russia
Comment 14 of 29, added on December 24th, 2011 at 9:57 AM.
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usabyalejandra from United States
Comment 13 of 29, added on September 4th, 2010 at 1:56 AM.
the first fig
coments her bi-sexuality but it cannot last forever as nothing can but
while it is alive and she is alive and we are alive we can let our spirits
or our being shine befoe all mankind
from United States
Comment 12 of 29, added on March 10th, 2008 at 9:22 PM.
The poem refers to Millay being bisexual, and her unusual lifestyle. She
is saying she will do as she pleases, for life is to short to not to enjoy
it the its fullest.
from United States
Comment 11 of 29, added on February 1st, 2008 at 8:26 AM.
From poem of the week blogspot:
Edna St. Vincent Millay was born in Rockland, ME in 1892. Her fourth book
of poetry, The Harp Weaver, earned her the Pulitzer Prize. She was openly
bi, which sheds some light on the otherwise mysterious title here.
Benjamin from South Africa
Comment 10 of 29, added on April 17th, 2007 at 7:22 PM.
this poem is not about figs!
joe huyt from United States
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