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Carl Sandburg - Four Preludes on Playthings of the Wind

“The past is a bucket of ashes.”

            1

THE WOMAN named To-morrow
sits with a hairpin in her teeth
and takes her time
and does her hair the way she wants it
and fastens at last the last braid and coil
and puts the hairpin where it belongs
and turns and drawls: Well, what of it?
My grandmother, Yesterday, is gone.
What of it? Let the dead be dead.
  
            2

The doors were cedar
and the panels strips of gold
and the girls were golden girls
and the panels read and the girls chanted:
  We are the greatest city,
  the greatest nation:
  nothing like us ever was.
  
The doors are twisted on broken hinges.
Sheets of rain swish through on the wind
  where the golden girls ran and the panels read:
  We are the greatest city,
  the greatest nation,
  nothing like us ever was.
  
            3

It has happened before.
Strong men put up a city and got
  a nation together,
And paid singers to sing and women
  to warble: We are the greatest city,
    the greatest nation,
    nothing like us ever was.
  
And while the singers sang
and the strong men listened
and paid the singers well
and felt good about it all,
  there were rats and lizards who listened
  … and the only listeners left now
  … are … the rats … and the lizards.
  
And there are black crows
crying, “Caw, caw,”
bringing mud and sticks
building a nest
over the words carved
on the doors where the panels were cedar
and the strips on the panels were gold
and the golden girls came singing:
  We are the greatest city,
  the greatest nation:
  nothing like us ever was.
  
The only singers now are crows crying, “Caw, caw,”
And the sheets of rain whine in the wind and doorways.
And the only listeners now are … the rats … and the lizards.
  
            4

The feet of the rats
scribble on the door sills;
the hieroglyphs of the rat footprints
chatter the pedigrees of the rats
and babble of the blood
and gabble of the breed
of the grandfathers and the great-grandfathers
of the rats.
  
And the wind shifts
and the dust on a door sill shifts
and even the writing of the rat footprints
tells us nothing, nothing at all
about the greatest city, the greatest nation
where the strong men listened
and the women warbled: Nothing like us ever was.

Added: on October 28th, 2007 at 7:35 PM | Viewed: 5906 times | Comments and analysis of Four Preludes on Playthings of the Wind by Carl Sandburg Comments (6)


Four Preludes on Playthings of the Wind - Comments and Information

Poet: Carl Sandburg (Carl Sandburg Art)
Poem: 1. Four Preludes on Playthings of the Wind
Volume: Smoke and Steel
- IV. Playthings of the Wind
Year: Published/Written in 1922

Comment 6 of 6, added on November 16th, 2009 at 3:38 PM.
Carl Sandburg and Louis Sullivan

The refrain has stayed with me for fifty years. When I finally refound it today, I couldn't help think of all the architecture in Chicago who meets the wrecking ball held by the WOMAN named To-morrow. Was this Sullivan's Stock Exchange Room which rests now in the Art Institute of Chicago. And where are all the other grand works? "The dust on the sill tells us nothing."

Joanne Henriot from United States
Comment 5 of 6, added on May 17th, 2009 at 9:09 PM.

Even the great poet seems trapped in the meme "civilization". Easy for me to say in 2008, but Spengler was of Sandburg's era. Ruins aren't decipherable? Quite the contrary. They are the most eloquent of instructors. I often wonder if other empires were as myopic as the poem asserts. Even the British had the humility to school their ruling class in antiquity. Our Empire was founded on the immersion in in this inheritance, so quickly eclipsed by money power and now, new trance inducted serfs.

Jack from United States
Comment 4 of 6, added on October 28th, 2007 at 7:35 PM.

I've never believed that the United States would be everlasting, but I also never believed that our position in the world should be thrown away as is being done. The anguish is excruciationg.

Don Gerimonte from United States

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