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Poet: Carl Sandburg (Carl Sandburg Art)
Poem: 5.
The Harbor
Volume: Chicago Poems
- Chicago Poems
Year: Published/Written in 1912
Poem of the Day:
Oct 28 2004
Comment 5 of 5, added on May 20th, 2009 at 8:15 AM.
With the exception of the second, eleventh, twelfth and thirteenth line, a predominant sound throughout the poem is the short "u".
huddled, ugly
hunger
hunger
huddled, ugly
sudden
Not so much on this line: On a blue burst of lake,
under, sun
flung
fluttering, gulls
Masses of great gray wings
And flying white bellies
Veering and wheeling free in the open
I believe Sandburg is using assonance in this poem to set a tone, then releasing that tone in the final three verses, much like the gulls were released to wheel free in the open.
Jeff from United States
Comment 4 of 5, added on March 23rd, 2006 at 1:30 PM.
g'day mates. what a wonderful poem. it really does bring out his work.
Steve Adrianes from Australia
Comment 3 of 5, added on July 3rd, 2005 at 7:10 PM.
The contrast of the city to the shore is exquisite. One underlying meaning one may extricate from the poem is that of one who has has his share of lovers, all of which left him unsatisfied. Yet the shore, and its image of gleaming beauty and youth gives the idea of a new love, one with meaning. The blue lake appears to serve as a symbol for hope and rebirth in the sexual awareness of the poet.
Stephanie from United States
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With the exception of the second, eleventh, twelfth and thirteenth line, a predominant sound throughout the poem is the short "u".
huddled, ugly
hunger
hunger
huddled, ugly
sudden
Not so much on this line: On a blue burst of lake,
under, sun
flung
fluttering, gulls
Masses of great gray wings
And flying white bellies
Veering and wheeling free in the open
I believe Sandburg is using assonance in this poem to set a tone, then releasing that tone in the final three verses, much like the gulls were released to wheel free in the open.
Jeff from United States