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January 22nd, 2018 - we have 234 poets, 8,025 poems and 327,382 comments.
Biography of Amy Lowell

Amy Lowell

Amy Lowell (1874 - 1925)

Amy Lowell didn't become a poet until she was years into her adulthood; then, when she died early, her poetry (and life) were nearly forgotten -- until gender studies as a discipline began to look at women like Lowell as illustrative of an earlier lesbianism. She lived her later years in a "Boston marriage" and wrote erotic love poems addressed to a woman.

T. S. Eliot called her the "demon saleswoman of poetry." Of herself, she said, "God made me a businesswoman and I made myself a poet."

Amy Lowell was born to wealth and prominence. Her paternal grandfather, John Amory Lowell, developed the cotton industry of Massachusetts with her maternal grandfather, Abbott Lawrence. The towns of Lowell and Lawrence, Massachusetts, are named for the families. John Amory Lowell's cousin was the poet James Russell Lowell.

Amy was the youngest child of five. Her eldest brother, Percival Lowell, became an astronomer in his late 30's and founded Lowell Observatory in Flagstaff, Arizona. He discovered the "canals" of Mars. Earlier he'd written two books inspired by his travels to Japan and the Far East. Amy Lowell's other brother, Abbott Lawrence Lowell, became president of Harvard University.

The family home was called "Sevenels" for the "Seven L's" or Lowells. Amy Lawrence was educated there by an English governess until 1883, when she was sent to a series of private schools. She was far from a model student. During vacations, she traveled with her family to Europe and to America's west.

In 1891, as a proper young lady from a wealthy family, she had her debut. She was invited to numerous parties, but did not get the marriage proposal that the year was supposed to produce. A university education was out of the question for a Lowell daughter, although not for the sons. So Amy Lowell set about educating herself, reading from the 7,000 volume library of her father and also taking advantage of the Boston Athenaeum.

Mostly she lived the life of a wealthy socialite. She began a lifelong habit of book collecting. She accepted a marriage proposal, but the young man changed his mind and set his heart on another woman. Amy Lowell went to Europe and Egypt in 1897-98 to recover, living on a severe diet that was supposed to improve her health (and help with her increasing weight problem). Instead, the diet nearly ruined her health.

In 1900, after her parents had both died, she bought the family home, Sevenels. Her life as a socialite continued, with parties and entertaining. She also took up the civic involvement of her father, especially in supporting education and libraries.

Amy had enjoyed writing, but her efforts at writing plays didn't meet with her own satisfaction. She was fascinated by the theater. In 1893 and 1896, she had seen performances by the actress Eleanora Duse. In 1902, after seeing Duse on another tour, Amy went home and wrote a tribute to her in blank verse -- and, as she later said, "I found out where my true function lay." She became a poet -- or, as she also later said, "made myself a poet."

By 1910, her first poem was published in Atlantic Monthly, and three others were accepted there for publication. In 1912 -- a year that also saw the first books published by Robert Frost and Edna St. Vincent Millay -- she published her first collection of poetry, A Dome of Many-Coloured Glass.

It was also in 1912 that Amy Lowell met actress Ada Dwyer Russell. From about 1914 on, Russell, a widow who was 11 years older than Lowell, became Amy's traveling and living companion and secretary. They lived together in a "Boston marriage" until Amy's death. Whether the relationship was platonic or sexual is not certain -- Ada burned all personal correspondence as executrix for Amy after her death -- but poems which Amy clearly directed towards Ada are sometimes erotic and full of suggestive imagery.

In the January 1913 issue of Poetry, Amy read a poem signed by "H.D., Imagiste." With a sense of recognition, she decided that she, too, was an Imagist, and by summer had gone to London to meet Ezra Pound and other Imagist poets, armed with a letter of introduction from Poetry editor Harriet Monroe.

She returned to England again the next summer -- this time bringing her maroon auto and maroon-coated chauffeur, part of her eccentric persona. She returned to America just as World War I began, having sent that maroon auto on ahead of her.

She was already by that time feuding with Pound, who termed her version of Imagism "Amygism." She focused herself on writing poetry in the new style, and also on promoting and sometimes literally supporting other poets who were also part of the Imagist movement.

In 1914, she published her second book of poetry, Sword Blades and Poppy Seeds. Many of the poems were in vers libre (free verse), which she renamed "unrhymed cadence." A few were in a form she invented, which she called "polyphonic prose."

In 1915, Amy Lowell published an anthology of Imagist verse, followed by new volumes in 1916 and 1917. Her own lecture tours began in 1915, as she talked of poetry and also read her own works. She was a popular speaker, often speaking to overflow crowds. Perhaps the novelty of the Imagist poetry drew people; perhaps they were drawn to the performances in part because she was a Lowell; in part her reputation for eccentricities helped bring in the people.

She slept until three in the afternoon and worked through the night. She was overweight, and a glandular condition was diagnosed which caused her to continue to gain. (Ezra Pound called her "hippopoetess.") She was operated on several times for persistent hernia problems.

She dressed mannishly, in severe suits and men's shirts. She wore a pince nez and had her hair done -- usually by Ada Russell -- in a pompadour that added a bit of height to her five feet. She slept on a custom-made bed with exactly sixteen pillows. She kept sheepdogs -- at least until World War I's meat rationing made her give them up -- and had to give guests towels to put in their laps to protect them from the dogs' affectionate habits. She draped mirrors and stopped clocks. And, perhaps most famously, she smoked cigars -- not "big, black" ones as was sometimes reported, but small cigars, which she claimed were less distracting to her work than cigarettes, because they lasted longer.

In 1915, she also ventured into criticism with Six French Poets, featuring Symbolist poets little known in America. In 1916, she published another volume of her own verse, Men, Women and Ghosts. A book derived from her lectures, Tendencies in Modern American Poetry followed in 1917, then another poetry collection in 1918, Can Grande's Castle and Pictures of the Floating World in 1919 and adaptations of myths and legends in 1921 in Legends.

During an illness in 1922 she wrote and published A Critical Fable - anonymously. For some months she denied that she'd written it. Her relative, James Russell Lowell, had published in his generation A Fable for Critics, witty and pointed verse analyzing poets who were his contemporaries. Amy Lowell's A Critical Fable likewise skewered her own poetic contemporaries.

She worked for the next few years on a massive biography of John Keats, whose works she'd been collecting since 1905. Almost a day-by-day account of his life, the book also recognized Fanny Brawne for the first time as a positive influence on him.

This work was taxing on Lowell's health, though. She nearly ruined her eyesight, and her hernias continued to cause her trouble. In May of 1925, she was advised to remain in bed with a troublesome hernia. On May 12 she got out of bed anyway, and was struck with a massive cerebral hemorrhage. She died hours later.

Ada Russell, her executrix, not only burned all personal correspondence, as directed by Amy Lowell, but also published three more volumes of Lowell's poems posthumously. These included some late sonnets to Eleanora Duse, who had died in 1912 herself, and other poems considered too controversial for Lowell to publish during her lifetime. Lowell left her fortune and Sevenels in trust to Ada Russell.

The Imagist movement didn't outlive Amy Lowell for long. Her poems didn't withstand the test of time well, and while a few of her poems ("Patterns" and "Lilacs" especially) were still studied and anthologized, she was nearly forgotten.

Then, Lillian Faderman and others rediscovered Amy Lowell as an example of poets and others whose same-sex relationships had been important to them in their lives, but who had -- for obvious social reasons -- not been explicit and open about those relationships. Faderman and others re-examined poems like "Clear, With Light Variable Winds" or "Venus Transiens" or "Taxi" or "A Lady" and found the theme -- barely concealed -- of the love of women. "A Decade," which had been written as a celebration of the ten year anniversary of Ada and Amy's relationship, and the "Two Speak Together" section of Pictures of the Floating World was recognized for the love poetry that it is.

The theme was not completely concealed, of course, especially to those who knew the couple well. John Livingston Lowes, a friend of Amy Lowell's, had recognized Ada as the object of one of her poems, and Lowell wrote back to him, "I am very glad indeed that you liked 'Madonna of the Evening Flowers.' How could so exact a portrait remain unrecognized?"

And so, too, the portrait of the committed relationship and love of Amy Lowell and Ada Dwyer Russell was largely unrecognized until recently.

Her "Sisters" -- alluding to the sisterhood that included Lowell, Elizabeth Barrett Browning and Emily Dickinson -- makes it clear that Amy Lowell saw herself as part of a continuing tradition of women poets.



152 Poems written by Amy Lowell

The poems are by default sorted according to volume, but you can also choose to sort them alphabetically or by page views.

Volume | Alphabetically | [Page Views] | Comments | First Lines


Page ViewsPoemComments
25894 Petals Comments and analysis of Petals by Amy Lowell 22 Comments
19171 Before the Altar Comments and analysis of Before the Altar by Amy Lowell 52 Comments
17976 Summer Comments and analysis of Summer by Amy Lowell 6 Comments
13164 Listening Comments and analysis of Listening by Amy Lowell 14 Comments
12765 Happiness Comments and analysis of Happiness by Amy Lowell 70 Comments
12300 Roads
12051 Leisure Comments and analysis of Leisure by Amy Lowell 16 Comments
11205 Behind a Wall Comments and analysis of Behind a Wall by Amy Lowell 3 Comments
11078 The Lamp of Life
11047 Song Comments and analysis of Song by Amy Lowell 32 Comments
10986 Azure and Gold Comments and analysis of Azure and Gold by Amy Lowell 7 Comments
10402 The Fruit Shop
10310 Fragment
9559 The Green Bowl Comments and analysis of The Green Bowl by Amy Lowell 9 Comments
9209 The Trout
8928 The Promise of the Morning Star
8849 The Matrix Comments and analysis of The Matrix by Amy Lowell 2 Comments
8699 Apology Comments and analysis of Apology by Amy Lowell 18 Comments
8674 Lead Soldiers Comments and analysis of Lead Soldiers by Amy Lowell 11 Comments
8664 A Japanese Wood-Carving Comments and analysis of A Japanese Wood-Carving by Amy Lowell 2 Comments
8631 The Dinner-Party Comments and analysis of The Dinner-Party by Amy Lowell 22 Comments
8624 Climbing Comments and analysis of Climbing by Amy Lowell 50 Comments
8347 Anticipation Comments and analysis of Anticipation by Amy Lowell 1 Comment
8216 The Painted Ceiling Comments and analysis of The Painted Ceiling by Amy Lowell 21 Comments
8167 Absence Comments and analysis of Absence by Amy Lowell 1 Comment
8146 Apples of Hesperides Comments and analysis of Apples of Hesperides by Amy Lowell 1 Comment
8106 A Tale of Starvation Comments and analysis of A Tale of Starvation by Amy Lowell 3 Comments
8047 In Darkness Comments and analysis of In Darkness by Amy Lowell 3 Comments
8017 The Giver of Stars
7880 A Gift Comments and analysis of A Gift by Amy Lowell 14 Comments
7651 The Paper Windmill
7645 An Aquarium
7631 Loon Point
7498 A Fixed Idea Comments and analysis of A Fixed Idea by Amy Lowell 7 Comments
7489 In a Castle Comments and analysis of In a Castle by Amy Lowell 11 Comments
7399 Aubade
7378 The Allies Comments and analysis of The Allies by Amy Lowell 1 Comment
7365 From One Who Stays
7343 In Answer to a Request Comments and analysis of In Answer to a Request by Amy Lowell 218 Comments
7179 Before Dawn Comments and analysis of Before Dawn by Amy Lowell 1 Comment
7155 Vintage Comments and analysis of Vintage by Amy Lowell 1 Comment
7141 March Evening
6768 The Forsaken
6736 A Blockhead
6721 Suggested by the Cover of a Volume of Keats's Poems Comments and analysis of Suggested by the Cover of a Volume of Keats's Poems by Amy Lowell 16 Comments
6705 The Temple Comments and analysis of The Temple by Amy Lowell 1 Comment
6610 The Pike Comments and analysis of The Pike by Amy Lowell 1 Comment
6597 A Roxbury Garden Comments and analysis of A Roxbury Garden by Amy Lowell 2 Comments
6546 1777
6537 Aftermath
6532 The Fruit Garden Path
6475 The Shadow Comments and analysis of The Shadow by Amy Lowell 9 Comments
6429 To Elizabeth Ward Perkins
6387 Reaping Comments and analysis of Reaping by Amy Lowell 17 Comments
6266 The Blue Scarf
6220 The Pleiades
6136 Fool's Money Bags Comments and analysis of Fool's Money Bags by Amy Lowell 1 Comment
6076 Obligation
5993 Diya  {original title is Greek, Delta-iota-psi-alpha}
5924 The Painter on Silk Comments and analysis of The Painter on Silk by Amy Lowell 7 Comments
5865 The Great Adventure of Max Breuck Comments and analysis of The Great Adventure of Max Breuck by Amy Lowell 14 Comments
5862 Sunshine through a Cobwebbed Window Comments and analysis of Sunshine through a Cobwebbed Window by Amy Lowell 1 Comment
5660 An Opera House
5476 Pickthorn Manor Comments and analysis of Pickthorn Manor by Amy Lowell 1 Comment
5425 A Ballad of Footmen
5395 Epitaph in a Church-Yard in Charleston, South Carolina
5335 Afternoon Rain in State Street
5332 The Grocery Comments and analysis of The Grocery by Amy Lowell 13 Comments
5079 Sancta Maria, Succurre Miseris Comments and analysis of Sancta Maria, Succurre Miseris by Amy Lowell 2 Comments
4995 Fringed Gentians
4992 A Petition
4933 The Exeter Road Comments and analysis of The Exeter Road by Amy Lowell 8 Comments
4925 Frankincense and Myrrh
4847 Monadnock in Early Spring
4707 Teatro Bambino.  Dublin, N. H.
4614 White and Green
4455 Off the Turnpike Comments and analysis of Off the Turnpike by Amy Lowell 9 Comments
2728 To an Early Daffodil Comments and analysis of To an Early Daffodil by Amy Lowell 2 Comments
2705 After Hearing a Waltz by Bartok Comments and analysis of After Hearing a Waltz by Bartok by Amy Lowell 454 Comments
2392 A Winter Ride Comments and analysis of A Winter Ride by Amy Lowell 1 Comment
2364 Sword Blades and Poppy Seed Comments and analysis of Sword Blades and Poppy Seed by Amy Lowell 27 Comments
2323 A Little Song Comments and analysis of A Little Song by Amy Lowell 3 Comments
2185 A Tulip Garden Comments and analysis of A Tulip Garden by Amy Lowell 45 Comments
2137 Red Slippers Comments and analysis of Red Slippers by Amy Lowell 41 Comments
2054 A London Thoroughfare.  2 A.M. Comments and analysis of A London Thoroughfare.  2 A.M. by Amy Lowell 14 Comments
1971 Nightmare: A Tale for an Autumn Evening Comments and analysis of Nightmare:  A Tale for an Autumn Evening by Amy Lowell 14 Comments
1909 Mirage
1804 The Fool Errant Comments and analysis of The Fool Errant by Amy Lowell 1 Comment
1804 Number 3 on the Docket Comments and analysis of Number 3 on the Docket by Amy Lowell 5 Comments
1775 Patterns Comments and analysis of Patterns by Amy Lowell 93 Comments
1759 The Basket Comments and analysis of The Basket by Amy Lowell 13 Comments
1641 Sea Shell Comments and analysis of Sea Shell by Amy Lowell 29 Comments
1567 Francis II, King of Naples
1542 The Book of Hours of Sister Clotilde Comments and analysis of The Book of Hours of Sister Clotilde by Amy Lowell 3 Comments
1443 Miscast II
1443 A Lady Comments and analysis of A Lady by Amy Lowell 10 Comments
1405 The Cyclists
1252 The Crescent Moon Comments and analysis of The Crescent Moon by Amy Lowell 29 Comments
1229 The Road to Avignon Comments and analysis of The Road to Avignon by Amy Lowell 16 Comments
1183 Patience Comments and analysis of Patience by Amy Lowell 76 Comments
1178 Spring Day Comments and analysis of Spring Day by Amy Lowell 3 Comments
1141 Clear, with Light, Variable Winds
1136 The Way Comments and analysis of The Way by Amy Lowell 13 Comments
1092 Venetian Glass
1041 Hero-Worship Comments and analysis of Hero-Worship by Amy Lowell 18 Comments
983 The Boston Athenaeum Comments and analysis of The Boston Athenaeum by Amy Lowell 194 Comments
906 To John Keats Comments and analysis of To John Keats by Amy Lowell 13 Comments
899 The End Comments and analysis of The End by Amy Lowell 2 Comments
889 Fragment
834 The Last Quarter of the Moon
777 The Poet Comments and analysis of The Poet by Amy Lowell 18 Comments
737 Miscast I
696 Malmaison Comments and analysis of Malmaison by Amy Lowell 16 Comments
640 In a Garden Comments and analysis of In a Garden by Amy Lowell 4 Comments
619 The Coal Picker Comments and analysis of The Coal Picker by Amy Lowell 206 Comments
598 The Starling
557 The Bombardment
488 "To-morrow to Fresh Woods and Pastures New" Comments and analysis of 2 Comments
480 At Night Comments and analysis of At Night by Amy Lowell 2 Comments
467 Music Comments and analysis of Music by Amy Lowell 2 Comments
418 Irony Comments and analysis of Irony by Amy Lowell 12 Comments
387 The Captured Goddess Comments and analysis of The Captured Goddess by Amy Lowell 296 Comments
368 The Bungler
346 Hora Stellatrix
334 J--K. Huysmans
333 Stravinsky's Three Pieces Comments and analysis of Stravinsky's Three Pieces  by Amy Lowell 11 Comments
330 To a Friend Comments and analysis of To a Friend by Amy Lowell 3 Comments
325 On Carpaccio's Picture:  The Dream of St. Ursula
315 Convalescence
300 Late September
290 The Red Lacquer Music-Stand
283 Crepuscule du Matin
278 A Coloured Print by Shokei
265 The Tree of Scarlet Berries Comments and analysis of The Tree of Scarlet Berries by Amy Lowell 13 Comments
247 Stupidity
240 Two Travellers in the Place Vendome
222 A Fairy Tale
222 Crowned
215 Storm-Racked
190 The Taxi Comments and analysis of The Taxi by Amy Lowell 59 Comments
157 The Cross-Roads Comments and analysis of The Cross-Roads by Amy Lowell 20 Comments
141 Epitaph of a Young Poet Who Died Before Having Achieved Success
138 Astigmatism Comments and analysis of Astigmatism by Amy Lowell 16 Comments
116 The Hammers
96 Dreams Comments and analysis of Dreams by Amy Lowell 11 Comments
95 Wind Comments and analysis of Wind by Amy Lowell 56 Comments
94 Thompson's Lunch Room -- Grand Central Station
92 The Foreigner Comments and analysis of The Foreigner by Amy Lowell 22 Comments
83 The Cremona Violin
69 The Little Garden
64 New York at Night
63 The Precinct.  Rochester Comments and analysis of The Precinct.  Rochester by Amy Lowell 9 Comments


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