I’ve always wanted to play the part
of that puckish pubescent Filipino boy

in those John Wayne Pacific-War movies.
Pepe, Jose, or Juanito would be smiling,

bare-chested and eager to please
for most of the steamy jungle scenes.

I’d be the one who would cross
the Japanese lines and ask for tanks,

air support, or more men. I’d miraculously
make it back to the town where John Wayne

is holding his position against the enemy
with his Thompson machine-gun. As a reward,

he’d rub that big white hand on my head
and he’d promise to let me clean

his Tommy gun by the end of the night. But
then, a Betty Grable look-a-like love

interest would divert him by sobbing
into his shoulder, saying how awfully scared

she is about what the “Japs” would do
to her if she were captured. In one swift

motion, John Wayne would sweep her off
her feet to calm her fears inside his private quarters.

Because of my Hollywood ability
to be anywhere, I’d be under the bed

watching the woman roll down her stockings
as my American hero unbuckles his belt.

I’d feel the bottom of the bed bounce off my chest
as small-arms fire explodes outside the walls.

Analysis, meaning and summary of Nick Carbo's poem Little Brown Brother

Leave a Reply

Your email address will not be published. Required fields are marked *

Do you have any comments, criticism, paraphrasis or analysis of this poem that you feel would assist other visitors in understanding the meaning or the theme of this poem by Nick Carbo better? If accepted, your analysis will be added to this page of American Poems. Together we can build a wealth of information, but it will take some discipline and determination.