Poet: Hayden Carruth
Poem: Saturday At The Border
Volume: Scrambled Eggs & Whiskey: Poems 1991-1995
Comment 0 of , added on September 13th, 2009 at 5:38 AM.
i honestly think that this poem is effective in conveying its messages.it is modern while retaining its conventional identity
misha from Mauritius
Comment -1 of , added on September 19th, 2005 at 3:04 PM.
Hayden Carruth does an exquisite job of adding a modern twist to the villanelle in ,"Saturday at the Border". Although in some sense he adheres to the traditional design of the form, his sometimes colloquial diction steers away from the formality of past villanelles. As with all villanelles, the repitions of specific phrases leads you to suspect that the poem must be taken beyond paraphrase, and there are also deliberate ambiguities that allow for multiple interpretations. Carruth correlates his first attempt at creating a villanelle with being "seventy-one, and feeling old and tired" and with "the old death-knell." This could mean that either the fact that he is writing a villanelle in the first place is reason enough for impending doom, or that he is contemplating his own closeness to death. There is much play on his annoyance with writing a villanelle. The mention of hell once again suggests that the villanelle is a precursor to his own demise. Does he believe that he is on his way to hell or maybe in hell (figuratively speaking) at the time of writing? There is even more mention of his aversion to the villanelle; at this point it is beginning to seem almost as if he is obligated to write the poem. Is this a metaphor for fighting against death? Maybe he doesn't want to die but he is hesitantly accepting the inevitable? The focus changes, but not entirely, when Carruth sends the message to our "young world" about other causes of the death-knell such as "the sun's salvos" and the"dead-blue sky" and "bigots" and "bankers of Arizona." Is this a reference to environmental issues and the abandonment of natural living for the acceptance of materialistic and superficial living? There are several messages to the young people of America that Carruth is trying to get across:1. A warning about ideologies having the ability to "compel children" to violence. 2. A suggestion that an ideology in itself is war because it is an overall fallacy. All the while, he portrays the villanelle as fragile, although the villanelle is usually viewed as powerful, in an attempt to vallidate his concerns further. If a sturdy villanelle cannot do the job, which forum will be effective? Carruth hints at having to parade himself around like some cheap lounge act even as he fears that young people will downplay the imperative message that he is trying to portray in the line where he states, "And must I go sell myself?" Only to be belittled and thought of as an "Old poetry guy with his spaced out death-knell." In short, the poem ends with a rumination about "being far from home" and writing in a different place (mentally and physically) than when "he was inspired." Instead, Carruth writes about a death-knell that is relevent in society today.Overall, Carruth utilizes the characteristics of the villanelle that are pertinent to such an intense message. The return to the death-knell is threatening enough to stir a reaction from the reader. At the same time, Carruth touches upon the gap that exists between the old and the young. Even as children, young Americans have the tendency to ridicule their "nagging elders."
Lisbeth from United States
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