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October 15th, 2008 - we have 236 poets, 8,034 poems and 17,831 comments.
Carolyn Forché - The Colonel

What you have heard is true. I was in his house. 
His wife carried a tray of coffee and sugar. His 
daughter filed her nails, his son went out for the 
night. There were daily papers, pet dogs, a pistol 
on the cushion beside him. The moon swung bare on 
its black cord over the house. On the television 
was a cop show. It was in English. Broken bottles 
were embedded in the walls around the house to 
scoop the kneecaps from a man's legs or cut his 
hands to lace. On the windows there were gratings 
like those in liquor stores. We had dinner, rack of 
lamb, good wine, a gold bell was on the table for 
calling the maid. The maid brought green mangoes, 
salt, a type of bread. I was asked how I enjoyed 
the country. There was a brief commercial in 
Spanish. His wife took everything away. There was 
some talk of how difficult it had become to govern. 
The parrot said hello on the terrace. The colonel 
told it to shut up, and pushed himself from the 
table. My friend said to me with his eyes: say 
nothing. The colonel returned with a sack used to 
bring groceries home. He spilled many human ears on 
the table. They were like dried peach halves. There 
is no other way to say this. He took one of them in 
his hands, shook it in our faces, dropped it into a 
water glass. It came alive there. I am tired of 
fooling around he said. As for the rights of anyone, 
tell your people they can go f--- themselves. He 
swept the ears to the floor with his arm and held 
the last of his wine in the air. Something for your 
poetry, no? he said. Some of the ears on the floor 
caught this scrap of his voice. Some of the ears on 
the floor were pressed to the ground. 

May 1978

Added: on October 2nd, 2005 at 10:11 AM | Viewed: 5157 times | Comments and analysis of The Colonel by Carolyn Forché Comments (5)


The Colonel - Comments and Information

Poet: Carolyn Forché
Poem: The Colonel
Volume: The Country Between Us
Year: Published/Written in 1978

Comment 5 of 5, added on April 10th, 2008 at 4:08 AM.

It's in there, full blown. I'm looking at the original book from '81 right now.

Gitter from United States
Comment 4 of 5, added on October 7th, 2005 at 3:58 PM.

the "fuck" was never in the poem to begin with--forche did the dashes herself. which is an interesting move, in and of itself.


sam cha
Comment 3 of 5, added on October 2nd, 2005 at 10:11 AM.

Thanks for posting Forch&eaccute;'s poem here--it's good to see her poems passed around!

Only one criticism I have, and that's about the editing out of the word "fuck" in line 28 of the poem. It may seem small, but its censorship brings up two important issues regarding art and the dissemination of it.

First, there is the issue of the preservation of the work of art itself. Even a small change such as your insertion of three dashes to replace three letters affects the reading of the poem: did the author intentionally censor the "obscenity" and leave in the more obscene description of the ears and all of its implications? What effect does that have on the poem? Or did she put in the full word, only to have it redacted by a later editor? Or...? You begin to see my point. Having never read the poem before, would I have thought to make sure the version you published on your site was the original? It was only a fortunate thought that brought it to mind on my part; others might not have the same good chance.

Second is the issue of priority of values. Why is it more offensive/dangerous to publish the work "fuck" than to discuss the whole idea of governing by force, cutting off ears of dissenters, etc.? After all, "fuck" connotes a sexual act, an act of love, care, and pleasure between individuals. It's act is also an act of reproduction, of furthering human life. There's no violence in it, no forced sex (that is rape). Dictatorship, the violent rejoicing of power over weakness, and the implied and stated atrocities that are a large part of the subject of Forch&eaccute;'s poem are far more dispicable than a simple word meaning a natural act of love, pleasure, and reproduction. I realize that some people are offended by the use of words such as "fuck," but it's not the poet's job to cater to the audience's whims. By editing the poem thus, you inadvertently change the nature of the piece--you alter a precisely balanced piece of art, you censor a word, and you change the reading of it. You also effectively say that the violent subject of the work is acceptable but a mere word for sex isn't.

David Clark from United States

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