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Who controls the narrative?: a stylistic comparison of different versions of Raymond Carver's "So Much Water So Close to Home".(Critical essay): An article from: Style


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Binding: Digital
Format: HTML
Label: Thomson Gale
Manufacturer: Thomson Gale
Number Of Pages: 32
Publication Date: September 22, 2007
Publisher: Thomson Gale
Release Date: January 04, 2008
Studio: Thomson Gale


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Product Description:
This digital document is an article from Style, published by Thomson Gale on September 22, 2007. The length of the article is 9560 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

From the author: In studying Raymond Carver, the problem of revision has been one of the most significant issues, often related to the problem regarding his hallmark style as a "minimalist." Several critics, paying attention to different versions of Carver's works, have seen "development" or "evolution" from minimalism to realism; others disagree with this idea. In this article, I address the problem of revision in Carver by exploring the difference in narrative control in different versions of Carver's "So Much Water So Close to Home." Closely examining such stylistic aspects as the discourse structure and speech presentation, this article investigates how stylistic revisions serve to make different agencies of narrative control as well as to construct different types of implied reader in different versions. This stylistic analysis may shed new light not only on the narrator-text--and reader-text--relationship but also on the nature of Carver's "revision," which can be regarded as his continuous experiment on textual representation.

Citation Details
Title: Who controls the narrative?: a stylistic comparison of different versions of Raymond Carver's "So Much Water So Close to Home".(Critical essay)
Author: Keiko Arai
Publication: Style (Magazine/Journal)
Date: September 22, 2007
Publisher: Thomson Gale
Volume: 41 Issue: 3 Page: 319(24)

Article Type: Critical essay

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