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starring: James Stewart, John Wayne, Vera Miles, Lee Marvin, Edmond O'Briendirected by: John Ford
List Price: $9.98Amazon.com's Price: $8.99 You Save: $0.99 (10%)Prices subject to change.
Availability: Usually ships in 24 hours
Aspect Ratio: 1.66:1
Audience Rating: NR (Not Rated)
Binding: DVD
Brand: Paramount
EAN: 9780792172666
Format: Anamorphic, Black & White, Closed-captioned, Dolby, DVD-Video, Subtitled, Widescreen, NTSC
ISBN: 0792172663
Label: Paramount
Manufacturer: Paramount
Number Of Items: 1
Publisher: Paramount
Region Code: 1
Release Date: June 05, 2001
Running Time: 123 minutes
Sales Rank: 2990
Studio: Paramount
Theatrical Release Date: April 22, 1962
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Editorial Review:
Product Description: A tenderfoot lawyer and a powerful rancher are rivals in lovet who stand together against a ruthless killer who will stop at nothing to get what he wants. Studio: Paramount Home Video Release Date: 04/11/2006 Starring: James Stewart Vera Miles Run time: 123 minutes Rating: Nr Director: John Ford
Amazon.com essential video: 'When the legend becomes fact, print the legend.' That's more than the code of a newspaperman in The Man Who Shot Liberty Valance; it's practically the operating credo of director John Ford, the most honored of American filmmakers. In this late film from a long career, Ford looks at the civilizing of an Old West town, Shinbone, through the sad memories of settlers looking back. In the town's wide-open youth, two-fisted Westerner John Wayne and tenderfoot newcomer James Stewart clash over a woman (Vera Miles) but ultimately unite against the notorious outlaw Liberty Valance (Lee Marvin). Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, Wayne and Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilization that will eventually tame the Wild West. This may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton
Customer Reviews
Average Rating: 
Rating: - Another John Ford masterpiece
This is perhaps second only to The Searchers in the many great films John Ford directed. Again starring John Wayne as well as the always excellent James Stewart, Vera Miles and Lee Marvin. Essentially its a western which shows the beginning of the end for the old west.
If you watch this you need to remember that although this was made in 1962, and that John Ford had been making films since the early part of the 20th Century (1917). So this has a different feel to any sort of modern ... Read More
Rating: - The Man Who Shot Liberty Valance
What a great western. You can't get much better than this one. John Wayne and Jimmy Stewart together for get about it!
Rating: - A Film for American Studies Departments
There is good reason to believe that the reviewer M. S. Anderson is as right as right can be. Having just edited an encyclopedia concerned with the Old West, I can confirm that the professorial class is keeping this movie alive. After several months of reading seemingly hundreds of worshipful citations of this routine film and especially of its signature cliché--the meaningless line about printing the legend when the legend becomes fact (as if newspapers routinely print the truth!)--I began watching ... Read More
Rating: - Print The Legend
Stylistically, this is a very interesting film from director John Ford. The film begins with alot of colorful characterizations familiar to audiences with films as diverse as "Stagecoach" and "The Searchers". There's also alot of brutal realism which would anticipate the work of Sam Peckinpah. It's also interesting that Ford contrasts the traditional western as represented by John Wayne with the new west represented by James Stewart who made a series of "psychological" westerns in and around this time. ... Read More
Rating: - A parody
This is an unintentional parody of the Western movie. The cliches, stereotypes, corny lines, and macho nonsense are present in abundance. There are signs of trouble from the beginning, when we learn immediately that there will be a flashback: Jimmy Stewart is shouting his lines. Later, John Wayne swaggers and sniggers, Andy Devine whimpers and attempts to be amusing, Edmund O'Brien does an awful drunk act, things are rowdy in the local saloon...well, you understand if you're over 13. Watch how fast Stewart ... Read More
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