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starring: Mel Gibson, Gregg Henry, Maria Bello, David Paymer, Bill Dukedirected by: Brian Helgeland, John Myhre
Audience Rating: R (Restricted)
Binding: VHS Tape
EAN: 9780792162599
Format: Closed-captioned, Color, Dolby, Original recording reissued, Special Edition, NTSC
ISBN: 0792162595
Label: Paramount
Manufacturer: Paramount
Number Of Items: 1
Publisher: Paramount
Release Date: January 18, 2000
Running Time: 100 minutes
Sales Rank: 18025
Studio: Paramount
Theatrical Release Date: February 05, 1999
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Editorial Review:
Amazon.com:
There were reasons writer-director Brian Helgeland's cut of Payback was dismissed by distributors Paramount and Warner Bros., then heavily re-shot and re-tooled by Mel Gibson's production company, Icon Entertainment. Those reasons are explained in detail by Gibson, Helgeland, and others in the special features of Payback: The Director's Cut (Special Collector's Edition). Among them: Helgeland's version was too dark. America wasn't ready in 1999 to see Gibson play an unapologetic, 1970s-style antihero who might not get exactly what he wants. Audiences didn't have the patience to wait for answers to their story questions. A dog dies. (A big no-no.) All of these comments make sound, practical sense. But here's the bottom line: Helgeland's cut, perhaps even a bit more disciplined and taut (according to Payback’s editor, Kevin Stitt) than it was in 1999, is a serious movie with an organic tone and logic that makes the film look the way it was meant to look: as a neo-noir film for adults. The theatrical release of Payback, by contrast, was and is silly and vulgar, self-sabotaging, pointlessly vicious, and perversely jaunty. It is very much like--deliberately like--the Lethal Weapon series. The Director’s Cut makes clear that’s not at all what Helgeland had in mind.
Kudos to Gibson and Icon for giving Helgeland a chance to restore his film and get it out on this DVD. But a look at both versions (this disc does not include the theatrical cut) back-to-back can certainly make one's head spin. Icon’s revisions in the original release show little faith in a contemporary audience’s ability to discern much about a story or mood or character from spare but telling details. That film relies on crass swatches of voiceover narration, cute inserts, added scenes, and hipster tunes on the soundtrack. All of that was designed to tell an audience how to feel rather than encourage a cinematic experience encountered with an open heart and mind. Worst of all is a specious third act nakedly built around an obligatory Gibson-gets-tortured sequence, leading the film to a lazy, comforting conclusion. The Director’s Cut eschews all of that. Gibson’s character, Porter (based on the central character in the novel 'The Hunter,' written by Donald E. Westlake under the pseudonym Richard Stark), is a man returning from the brink of death with nothing but his identity and the memory of something (an almost-nominal amount of money) taken from him. His iron determination, his capacity for brutality and inducing fear, and his survival instinct make him anything but warm and cuddly. It's his few ties to the past--especially an interrupted relationship with a call girl (Maria Bello)--that humanize him. One doesn't have to like Porter; one just accepts him and follows his journey in an honest, unmitigated fashion. That’s exactly what Helgeland does, and his cleaner, leaner, smarter cut is instantly rewarding for its uncompromising, undistracted toughness. Special features include a documentary about the film’s history, and a wonderful interview with Westlake. --Tom Keogh
Customer Reviews
Average Rating: 
Rating: - Worth seeing (if you liked the original)
Having seen the original cut earlier, I can't really speak for those who haven't. Still, I imagine most people who can tolerate a gritty action flick will enjoy this version.
The director's cut removes Mel Gibson's voiceover, changes the soundtrack and film quality (from blue-filter to saturated & slightly grainy), and completely re-does the ending. It's a little less flashy, but a hell of a lot grittier and truer to the real style of the movie and the book that inspired it.
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Rating: - Tough guy flick
Mel plays a very tough guy, like you don't see so much anymore. The lighting is all monochromatic. The side stars are very good, especially Lucy Liu as the sadist. Kris Kristofferson as the second biggest mob boss is a hoot, though he still seems more like a cowboy. The plot is some silliness about $70k owed to Mel, and how he gets it back, despite the odds. A lot of blood and violence, but it's sort of forgiveable.
Rating:  - Suspicios packaging
The only thing I found odd about this physically was the fact that the blue ray was shrink wrapped instead of the plastic wrapper it usually comes in. Also when I opened up the case, there was no pictures on the other side of the cover. (I've gotten two BDs in shrink wrap and they both are similar in packaging as opposed to the other BDs)
Also instead of an insert that advertises more blue ray movies, It has a paper saying how the blue ray disc is manufactured to the highest quality available, ... Read More
Rating:  - Not the theatrical release, buyer beware!
I was truly disappointed as the movie progressed and I realized this is NOT the same movie I loved when I saw it on the big screen. This "Director's cut" version is abysmal and an absoulte joke. The ending is pathetic. To only have this version available on Blu ray and not even include the theatrical relase as an extra is really unacceptable. The people who put out this product ought to be ashamed of themselves. The only bright spot is the unintentional comedy factor of watching the director describe the "artistic ... Read More
Rating: - If you liked the orignal, you'll hate this. At least I did.
I saw the original theatrical release at the theater and liked it so much, I bought another ticket. There was a dark comedic thing going on, but the bad guy wasn't a dirtbag. There was a degree of chivalry and honor. In this version, I hate the bad guy. He is just a thug who beats the crap out of his wife. Ok, she deserved it to a point, but the original Porter loved her despite her drug addiction and forgave her for the most part. The music in this new version SUCKS! The original was lively and enthralling. ... Read More
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