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List Price: $16.95Amazon.com's Price: $14.49 You Save: $2.46 (15%)as of 12/10/2009 05:51 EST
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Binding: Paperback
Dewey Decimal Number: 808
EAN: 9780060956387
ISBN: 0060956380
Label: Harper Perennial
Manufacturer: Harper Perennial
Number Of Items: 1
Number Of Pages: 400
Publication Date: 2000-06
Publisher: Harper Perennial
Release Date: June 20, 2000
Studio: Harper Perennial
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Editorial Review:
Amazon.com Review:
"Most critics," Randall Jarrell wrote in a 1952 essay, "are so domesticated as to seem institutions--as they stand there between reader and writer, so different from either, they remind one of the Wall standing between Pyramus and Thisbe." His complaint was as accurate then as it is now. Yet Jarrell himself had nothing of the literary obstructionist to him. The essays he wrote over the course of three decades--in which he mingled his assessments of poetry and prose with the occasional cri de coeur over the state of American civilization--always escort the reader directly into the inner sanctum of the work at hand. And they do so with such scintillating, comical brilliance that most other criticism seems to pale into testy insignificance. We should be grateful, then, that Brad Leithauser has assembled No Other Book, which returns to print many of Jarrell's imperishable picks and pans.
Jarrell's slash-and-burn style caused a certain discomfort among his fellow poets, particularly those who fell short of his sky-high standards. And indeed, his inspired jabs have lost little of their pungency or amusement: Oscar Williams's poetry, for example, "gave the impression of having been written on a typewriter by a typewriter." Even Walt Whitman, whose reputation Jarrell single-handedly repaired, gets the occasional spanking. Only a man with the most extraordinary feel for language, or none whatsoever, could have cooked up Whitman's worst messes. For instance: what other man in all the history of this planet would have said, "I am a habitant of Vienna"? (One has an immediate vision of him as a sort of French Canadian halfbreed to whom the Viennese are offering, with trepidation, through the bars of a zoological garden, little mounds of whipped cream.) A master of the sublime putdown, Jarrell was even more masterful when it came to praise: his essays on Whitman, Robert Frost, William Carlos Williams, and Wallace Stevens permanently changed the way we read these poets. He also functioned as a early-warning system for his own generation and the one to follow--who else was sufficiently prescient to pick out Robert Lowell, John Berryman, Elizabeth Bishop, and Adrienne Rich as front-runners? And unlike his New Critical contemporaries, Jarrell never made the mistake of divorcing life from art. His comment on Frost's poetry applies equally to his own productions: "How little they seem performances, no matter how brilliant or magical, how little things made primarily of words (or of ink and paper, either), and how much things made out of lives and the world that lives inhabit." No other poet has ever written about his art with such electricity and intelligence--which makes No Other Book one of the true treasures of this or any other year. --James Marcus
Product Description:
Randall Jarrell was only fifty-one at the time of his death, in 1965, yet he created a body of work that secured his position as one of the century's leading American men of letters.Although he saw himself chiefly as a poet, publishing a number of books of poetry, he also left behind a sparkling comic novel, four children's books, numerous translations, haunting letters, and four collections of essays. Edited by Brad Leithauser, No Other Bookdraws from these four essay collections, reminding us that Jarell the poet was also, in the words of Robert Lowell, "a critic of genius."
Average Rating: 
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Everything about this transaction was excellent: I obtained a fine book, in excellent condition, for a terrific price.
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I came across this book about a year ago. I picked up a used copy of it, and read "The Age of Criticism." Afterwards I could not put the book down. I was not familiar with Jarrell's essays, and they amazed me. "The Age of Criticism" is one of the most prescient essays that I have ever read. These essays are in no way dated. They hold a position similar only to some of Dr. Johnson's best critical works. The only other comparison that I can make is to Paul Fussell. In other words, essays ... Read More
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So much of Jarrell's prose is either out-of-print or just so hard to find, that we are lucky to have this book. For those who lament the inclusion of so many pieces on pop culture, they need to remember that some of those pieces made Jarrell both popular but also got him in trouble. To not include them would be to misrepresent Jarrell historically (and deprive us of some very funny writing). Unfortunately, there really were only 2 Jarrell essays on Auden (he never got around to writing the book he planned), ... Read More
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Jarrell's lush communication style has always thrilled me. For the rare impact Jarrell's style has on me.
I am moved simply by the effort to bring Jarrell back to the fray.
It is enough for me to be touched once more by the rare combination of language-as-electrical current unique to Jarrell's voice.
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The reader from Zion does have some legitimate points to make--that late essay on Stevens is sorely missed, and perhaps Brad Leithauser has indeed weighted the collection too heavily towards Jarrell's lamentations on contemporary culture. Yet I still can't understand how anybody with an ear for English prose could complain about this delightful, witty, supernaturally wise collection. And the nitpicking about the book's "precious" production values is even nuttier--what did you want, a volume bound in corrugated ... Read More
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Dewey Decimal Number: 808
EAN: 9780060956387
ISBN: 0060956380
Label: Harper Perennial
Manufacturer: Harper Perennial
Number Of Items: 1
Number Of Pages: 400
Publication Date: 2000-06
Publisher: Harper Perennial
Release Date: June 20, 2000
Studio: Harper Perennial